Name: Klaus Mäkelä and Janine Jansen
Start: 2025-01-22T00:00:00.000Z
End: 2025-01-23T00:00:00.000Z
Location: Het Concertgebouw

Admin

Concertgebouworkest

Het Concertgebouw

Conductor

Klaus Mäkelä

Orchestra

Instrumentalist

Janine Jansen

Violin

Klaus Mäkelä and Janine Jansen

Amsterdam

Netherlands

Public

Concert

Music for the Funeral of Queen Mary, Z.860

Violin Concerto, Op. 15

Lachrimae, or Seaven Teares

Symphony No. 2 in C-Major Op. 61

Jnanakumar P

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Bass-baritone

Singer

Countertenor

Tenor

Soprano

Baritone

Contralto

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Conductor Klaus Mäkelä says that a concert is like a journey through time. The composers featured on this programme were clearly inspired by older music. Robert Schumann had just suffered a nervous breakdown when he wrote his Symphony No. 2, a work in which he documents his recovery and overtly draws on the music of Bach, Haydn and Beethoven. 

Benjamin Britten’s music, in which the influence of older English masters is always palpable, is also in dialogue with the past. His Violin Concerto juxtaposes tradition with present-day circumstances: the year was 1939, and the threat of war imminent. With her extraordinary aptitude for capturing mood and atmosphere, violinist Janine Jansen is the perfect interpreter. 

Klaus Mäkelä says, ‘In Schumann’s music I always feel an aspect of the past, tradition, history. Britten too admired tradition. We make a combination with works from the 17th century by Purcell and Dowland, to prepare the atmosphere of the later works by Britten and Schumann, which contain the past. I think the music benefits from it. The cathedral-like, almost sacred atmosphere of Dowland and Purcell enhances those aspects in Schumann and Britten, putting their works in a different light.’

English

Klaus Mäkelä and Janine Jansen by Purcell, Britten, Dowland, J., Schumann, 从 (2025/2025), 导体 Klaus Mäkelä, Het Concertgebouw, Amsterdam, Netherlands

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