Organization

Singer

Baritone

Enkhbat Tuvshinzhargal

Igor Svyatoslavich

Soprano

Nadezhda Babintseva

Yaroslavna

Tenor

Boris Rudak

Vladimir Igorevich

Bass-baritone

Oleg Ivanov

Vladimir Yaroslavich

Bass

Garry Agadzhanyan

Konchak

Contralto

Natalia Lyaskova

Konchakovna

Danis Khuzin

Ovlur

Alexander Egorov

Skula

Sergey Vlasov

Yeroshka

Natalia Knyazeva

Yaroslavna's nurse

Olga Popova

A Polovtsian maiden

Stage director

Sigrid T'Hooft

Conductor

Valery Platonov

Petr Belyakin

Lighting designer

Georgij Belaga

Chorus master

Vitaly Polonsky

Hannah Baryshnikova

Costume designer

Stephan Dietrich

Set designer

Libretto

Alexander Borodin

Perm Tchaikovsky Opera and Ballet Theatre

Knyaz Igor -  (Prince Igor)

Perm

Russia

Main stage

Knyaz Igor Borodin

Public

Prince Igor

Approved

Спектакль Пермского театра оперы и балета«Князь Игорь» А. БородинаМузыкальный руководитель и дирижер - Валерий ПлатоновРежиссер-постановщик - Cигрид Т'Хуфт (...

Prince Igor / Prince Igor

Режиссер-постановщик опера Александра Бородина «Князь Игорь» Сигрид Т'Хуфт о премьере спектакля.Сайт театра: http://permopera.ru/Театр в сети:https://faceboo...

Сигрид Т'Хуфт о премьере оперы «Князь Игорь»

The opera was written in 1890. Musical version by Anna Bulycheva

The scenography of the performance is close to the production in 1890 at the Mariinsky Theatre. In this stage version, the production was presented in Perm in 2015.

One of the pillars of Russian opera classics, "Prince Igor" by Alexander Borodin, is based on a historical plot borrowed from the monument of ancient Russian literature "The Tale of Igor's Campaign", and tells of Igor Svyatoslavich's unsuccessful campaign against the Polovtsians.
Borodin's unfinished work was completed after the death of the author by Nikolai Rimsky-Korsakov and Alexander Glazunov. The premiere of the opera took place in 1890 at the Mariinsky Theatre. The artistic team of the Perm premiere in 2015 refers to this production. Director Sigrid T'Hooft is known primarily as an expert in the field of historical theatrical reconstruction, conductor Valery Platonov is a connoisseur of Russian musical heritage, and artist Stefan Dietrich is an excellent stylist who thoughtfully works with visual documents from different eras. They see their main task in that, without making direct repetitions, as close as possible to the aesthetics of the opera house of the late 19th century.

English

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