Name: La Bohème
Start: 2023-01-27T00:00:00.000Z
End: 2023-01-29T00:00:00.000Z
Location: Slovak National Theatre New Building

Organization

Conductor

Enrico Dovico

Set designer

Verena Graubner

Singer

Bass

Baurzhan Anderzhanov

Colline

Soprano

Andrea Vizvári

Musetta

Tenor

Michal Želonka

Parpignol

František Ďuriač

Alcindoro

Daniel Hlásny

A customs sergeant

Martin Smolnický

A customs officer

Stage director

Peter Konwitschny

Costume designer

Johannes Leiacker

Dramaturge

Vladimír Zvara

Robert Jindra

Chorus master

Ladislav Kaprinay

Kateřina Kněžíková

Mimi

Pavol Breslik

Rodolfo

Baritone

Aleš Jenis

Marcello

Richard Sveda

Schaunard

Peter Mikuláš

Benoît

Jiří Zouhar

A vendor

Slovak National Theatre

Others

Bratislava Boys' Choir

Orchestra

Orchestra of the Slovak National Theatre

Chorus of the Slovak National Theatre

Pressburg singers

ítalska

La Bohème

Bratislava

Slovakia

Slovak National Theatre New Building

Public

slóvakíska

Approved

The legendary German opera director Peter Konwitschny returned to Bratislava to study another title in SND after Eugene Onegin and Madama Butterfly – Puccini's Boheme. An engaging story about four young poor artists is told by the director without sentimentality, simply and convincingly. Puccini's veristic interpretation mixes funny scenes with tragic ones as a faithful picture of everyday life; and Konwitschné's view of it is penetrating and full of understanding. Where is the line between smiling and crying? Are young men on the fringes of society looking for a woman's arms just for the heck of it, or is the desire for love their cry for help? In the hands of director Konwitschný, Bohéme loses none of its beauty - and at the same time gains dramatic truth and power.

English

Legendárny nemecký operný režisér Peter Konwitschny sa vrátil do Bratislavy, aby po Eugenovi Oneginovi a Madama Butterfly naštudoval v SND ďalší titul – Pucciniho Bohému. Pútavý príbeh o štvorici mladých chudobných umelcov rozpráva režisér bez sentimentality, prosto a presvedčivo. Pucciniho veristický výklad mieša úsmevné scény s tragickými ako verný obraz všedného života; a Konwitschného pohľad naň je prenikavý i plný porozumenia. Kade vedie hranica medzi úsmevom a plačom? Hľadajú mladí muži na okraji spoločnosti ženskú náruč len tak, z roztopaše, alebo je túžba po láske ich volaním o pomoc? V rukách režiséra Konwitschného nestráca Bohéma nič zo svojej krásy – a zároveň získava na dramatickej pravdivosti a sile.

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