Admin

Opéra de Monte-Carlo

Royal Opera House Muscat

Дирижер

Marco Armiliato

Режиссер-постановщик

Режиссер-постановщик (+3)

Jean-Louis Grinda

Художник-постановщик

Художник по костюмам (+3)

Rudy Sabounghi

Художник по костюмам

Художник по костюмам (+1)

David Belugou

Художник по свету

Художник по свету (+2)

Laurent Castaingt

Хормейстер

Дирижер (+3)

Stefano Visconti

Тенор (+3)

Юсиф Эйвазов

Рудольф

Баритон (+5)

Florian Sempey

Марсель

Баритон (+3)

Biagio Pizzuti

Шонар

Бас (+3)

Giorgi Manoshvili

Коллен

Баритон (+2)

Fabrice Alibert

Бенуа

Бас-баритон (+12)

Matteo Peirone

Альциндор

Orchestra

Orchestre Philharmonique de Monte-Carlo

Chorus

Choeur de l'Opéra de Monte-Carlo

Chœur d'enfants de l'Académie de musique Rainier III

Grimaldi Forum

Сопрано (+5)

Anna Netrebko

Мими

Сопрано (+1)

Nino Machaidze

Мюзетта

Сопрано (+3)

Mariam Battistelli

When Giacomo Puccini turned to Giuseppe Giacosa and Luigi Illica, who had collaborated fruitfully with him on the libretto of Manon Lescaut shortly before, he struggled with turning into a convincing structure the Scènes de la vie de bohème, written 45 years earlier by the French literary realist Henry Murger (1822-1861). When the completed opera was finally premiered in Torino in 1896, it even received unfavourable reviews in spite of Toscanini’s conducting.

To us, the four short acts of La bohème feel well balanced, their mixture of lightness, exuberance, lyricism, true feeling and heart-rendering sadness perfect. The orchestral writing is colourful but always to the point, the sung parts conversationally natural but interspersed with some of the most memorable tunes in opera history. Today, we are still moved profoundly by the naive youthfulness of Puccini’s characters, who are doomed but blessed with short moments of innocent bliss.

These performances of La bohème will be interpreted by a glamorous cast headed by Anna Netrebko as Mimì.

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