Name: La Cenerentola
Start: 2021-12-16T00:00:00.000Z
End: 2021-12-23T00:00:00.000Z
Location: Teatro Comunale di Bologna

Organization

Mezzo-soprano

Chiara Amarù

Angelina

Tenor

Antonino Siragusa

Don Ramiro

Baritone

Nicola Alaimo

Dandini

Andrea Vincenzo Bonsignore

Bass

Vincenzo Taormina

Don Magnifico

Soprano

Sonia Ciani

Clorinda

Aloisa Aisemberg

Tisbe

Gabriele Sagona

Alidoro

Stage director

Emma Dante

Conductor

Nikolas Nägele

Lighting designer

Cristian Zucaro

Costume designer

Vanessa Sannino

Set designer

Carmine Maringola

Choreographer

Manuela Lo Sicco

Chorus master

Gea Garatti Ansini

Teatro Comunale di Bologna

Teatro dell'Opera di Roma

Others

Coro del Teatro Comunale di Bologna

Orchestra

Orchestra del Teatro Comunale Bologna

La Cenerentola -  (Cinderella)

Bologna

Italy

DIRECTOR Nikolas Nägele DIRECTOR Emma Dante Orchestra, Chorus and Technicians of the Municipal Theater of Bologna CAST DON RAMIRO Antonino Siragusa DANDINI Nicola Alaimo DANDINI Andrea Vincenzo Bonsignore DON MAGNIFICO Vincenzo Taormina CLORINDA Sonia Ciani TISBE Aloisa Aisemberg ALIDORO Gabriele Sagona ANGELINA called CENERENTOLA Chiara Amarù in acts on libretto by Jacopo Ferretti Rossini's Cenerentola is configured as a work of disguise and transformation, both in history and in musical motifs. The most miraculous transformation of all is, of course, the one to which the protagonist, Angelina, is subject: the naive girl who, when the curtain rises, in a world of comic opera characters gradually becomes a mature and regal woman. Production of the Teatro dell'Opera di Roma Presenting Partner ALFASIGMA

La Cenerentola Rossini

Public

Private

Cinderella

Approved

Tales hide under their stories, whether tragic or funny but always engaging and understandable for readers of any age, a network of meanings that concern fundamental aspects of the human being. Michela Murgia will help us to read between the lines of the tale of Cinderella and Rossini's work, revealing aspects that deeply involve us even in our daily and contemporary life.

Rossini's Cenerentola is configured as a work of disguise and transformation, both in history and in musical motifs. The most miraculous transformation of all is, of course, the one to which the protagonist, Angelina, is subject: the naive girl who, when the curtain rises, in a world of comic opera characters gradually becomes a mature and regal woman.

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