Organization

Singer

Tenor

Jeremy Ovenden

Titus

Soprano

Roberta Mameli

Vitellia

Countertenor

Julie Robard-Gendre

Sesto

Olivia Doray

Servilia

Abigail Levis

Annio

Bass

Christophoros Stamboglis

Publio

Stage director

Pierre-Emmanuel Rousseau

Conductor

Nicolas Krüger

Pascal Rophé

Lighting designer

Gilles Gentner

Costume designer

Set designer

Chorus master

Xavier Ribes

Opéra de Rennes

Others

Angers Nantes Opéra

Orchestra

Orchestre National des Pays de la Loire

italiera

La clemenza di Tito -  (The Clemency of Titus)

Angers

France

Grand Théâtre

Nantes

Théâtre Graslin

Private

Public

The Clemency of Titus

frantsesa

Approved

La clemenza di Tito Mozart

The culmination of an exalted love, that of Mozart for the opera seria. The passions in Titus' Clemency are expressed to the point of paroxysm: desire for revenge, fidelity, honor, love, spite. The soloists ignite as if each of their chorus beats endangered their existence, as if the world was going to collapse, which everyone is convinced at the end of the first act. The state of emergency is political, social, amorous, but first of all it is intensely musical.

English

Le point culminant d’un amour exalté, celui de Mozart pour l’opera seria. Les passions dans la Clémence de Titus s’expriment jusqu’au paroxysme : désir de vengeance, fidélité, honneur, amour, dépit. Les solistes s’enflamment comme si chacun de leurs battements de chœur mettait leur existence en danger, comme si le monde allait s’écrouler, ce dont chacun se persuade à l’issue du premier acte. L’état d’urgence est politique, social, amoureux, mais il est d’abord intensément musical.

français

The Clemency of Titus by Mozart, Noiztik (2021/2022), Zuzendaria Pierre-Emmanuel Rousseau,, Zuzendaria Nicolas Krüger, Pascal Rophé, Théâtre Graslin, Nantes, France

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