Organization

Singer

Soprano

Joana Gedmintaite

Violetta Valery

Viktorija Miskunaite

Katerina Estrada Tretyakova

Tenor

Mickael Spadaccini

Alfred Germont

Baritone

Vytautas Juozapaitis

George Germont

Arunas Malikenas

Kostas Smoriginas

Stage director

Fabio Ceresa

Conductor

Ričardas Šumila

Julius Geniušas

Costume designer

Giuseppe Palella

Set designer

Tiziano Santi

Choreographer

Mattia Agatiello

Bass

Ieva Juozapaitytė

Flora's Servant

Mezzo-soprano

Annina

Chorus master

Česlovas Radžiūnas

Regina Silinskaite

Flora Bervoix

Mindaugas Jankauskas

Gaston

Rafailas Karpis

Marija Arutiunova

Karolis Kašiuba

Liudas Norvaisas

The Baron Douphol

Steponas Zonys

Kšištof Bondarenko

The doctor Grenvil

Egidijus Dauskurdis

Jevgenij Chrebtov

The Marquis of Obigny

Monika Pleškytė

Merunas Vitulskis

Dainius Stumbras

Lighting designer

Levas Kleinas

Lithuanian National Opera and Ballet Theatre

Ιταλικά

La Traviata -  (La traviata)

Vilnius

Lithuania

Main Stage

La traviata Verdi

Public

La traviata

Λιθουανικά

Αγγλικά

Approved

G. Verdi Traviata is one of the most popular and most frequently staged operas in the world, this performance was performed on December 31, 1920. the path of Lithuanian opera also began. In the repertoire of LNOBT, since the theater was established, it has not been performed for only a couple of years, so we often call it "national Lithuanian opera". Throughout the twentieth century, until 2002. We welcomed the new champagne glasses with Violeta and Alfred. For a while, this tradition was gone, but in 2021. 31 December While celebrating the 100th anniversary of the Lithuanian Opera, we welcome the new ones at the sound of Traviata . This is the ninth production of this opera by LNOBT.

Fabio Ceresa, the director of the new production, says: “First of all, in the performance, I am looking for the effect of surprise, which we experience when we see beautiful scenes and well-groomed costumes. It is important to focus on the ideas of dramaturgy and the essence of the performance, but the aesthetic beauty only enhances the value of the art, the eye-catching image conveys the true magic of the opera. The costumes of my performances are imbued with luxury, history and fantasy - it helps to create this magic. The same can be said about the scenes - its luxurious, inspiring sense of aesthetic admiration. It is very important to me. It's an integral part of the opera, which I think is important to preserve and convey. "

English

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