Organization

Mise en scène

Nic Muni

Décors

Direction d'orchestre

Wei-En Hsu

Chanteur

Soprano

Lei Xu

Violetta Valéry

Ténor

Ji-Min Park

Alfredo Germont

Baryton

ZhengZhong Zhou

Giorgio Germont

Etta Fung

Flora Bervoix

Mezzo-soprano

Annina

Basse

Stefan Gordon

Docteur Grenvil

More Than Musical

La Traviata -  (La traviata)

Hong Kong

Chine

Public

La traviata

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Chefdirigent Musiktheater

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Costumes

Danse

Diffusion

Direction de choeur

Dramaturgie

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Contre-ténor

Baryton-basse

Contralto

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

Have you ever felt intimidated by opera? If so, you are not alone, and More Than Musical may just have the remedy. In keeping with More Than Muscial’s goal of making opera more accessible, we have reduced the runtime from the usual 2.5 hours to about 100 minutes, with no intermission.

Verdi’s original was set in “modern” times, 1853, the year of the premiere, as Verdi wanted the audience to relate to the characters without the filter of “a time longpast”. We, too, have set out production in the present.

La Traviata is a story about social and religious hypocrisy. In 19th century France, wealthy men were permitted to have mistresses, but insisted on virginal behaviour from women in their family circles. Violetta is the embodiment of this dilemma: a courtesan who trades physical intimacy for financial gain.

Then, however, she falls in love and gives up her lucrative and licentious lifestyle. But can a person be forgiven for their mistakes, however heinous? And can a woman be forgiven? This is the critical question of the piece. Verdi’s answer, or rather that of society’s as he saw it, is a resounding “no”.

Allow yourself to be offended by the behaviour of some of the characters, to sympathise with Violetta’s plight, to struggle with Germont’s request, to pity Alfredo’s rage.

English

La traviata by Verdi, jeu. 14 déc. 2017, Du (2017/2017), Dirigé par Nic Muni,, Chef d'orchestre Wei-En Hsu

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Programme, À Propos & Synopsis

Lectures complémentaires

Dates et lieux de représentation

Salles