Organization

Conductor

Keri-Lynn Wilson

Stage director

Richard Eyre

Set designer

Set designer (+1)

Bob Crowley

Costume designer

Lighting designer

Lighting designer (+2)

Jean Kalman

Soprano (+1)

Kristina Mkhitaryan

Violetta Valery

Tenor

Liparit Avetisyan

Alfredo Germont

Bass (+1)

Blaise Malaba

Dottore Grenvil

Mezzo-soprano (+2)

Gabrielė Kupšytė

Flora Bervoix

Baritone (+2)

Josef Jeongmeen Ahn

Barone Douphol

Tenor (+2)

Michael Gibson

Gastone de Letorières

Bass-baritone (+5)

Jeremy White

Marchese d'Obigny

Mezzo-soprano

Renata Skarelytë

Annina

Royal Ballet and Opera

Orchestra

Orchestra of the Royal Opera House

Chorus

Royal Opera Chorus

Royal Opera House

Choreographer

Jane Gibson

Baritone (+3)

Christoph Pohl

Giorgio Germont

Juan Jesús Rodríguez

The courtesan Violetta lives and breathes the glamour of Parisian high society, but she has never known love – until she meets Alfredo. Abandoning her hedonistic existence for a new life in the country, Violetta receives a surprise visit from Alfredo’s father, who exposes the cruelty of society’s double standards – and accelerates her tragic demise.

Giuseppe Verdi’s riches-to-rags opera has it all: from the intoxicating joy of the ‘Brindisi’ party chorus, to the hushed poignancy of the final act, where hope teeters on the edge of despair. Richard Eyre’s elegant production returns, conducted by Keri-Lynn Wilson and staring Kristina Mkhitaryan as Violetta, Liparit Avetisyan as Alfredo and Christoph Pohl as Giorgio Germont.

The featured performance for the cinema screening on the 26 April is conducted by Giacomo Sagripanti, and stars Pretty Yende as Violetta, Stephen Costello as Alfredo and Vladimir Stoyanov as Giorgio Germont.

이탈리아어

La Traviata -  (La traviata)

London

United Kingdom

Main Stage

La traviata Verdi

Staged

Opera

La traviata

영어

A moment from The Royal Opera's La traviata with Pretty Yende and Stephen Costello.

The courtesan Violetta lives and breathes the glamour of Parisian high society, but she has never known love – until she meets Alfredo. Abandoning her hedonistic existence for a new life in the country, Violetta receives a surprise visit from Alfredo’s father, who exposes the cruelty of society’s double standards – and accelerates her tragic demise.

Giuseppe Verdi’s riches-to-rags opera has it all: from the intoxicating joy of the ‘Brindisi’ party chorus, to the hushed poignancy of the final act, where hope teeters on the edge of despair.

Approved

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