Organization

Choreographer

Remus Dimache

Video designer

Matej Bodrušić

Lighting designer

Srđan Barbarić

Chorus master

Veton Marevci

Singer

Bass

Mateo Đikić

Commissioner

Soprano

Barbara Sumić

Flora Bervoix

Ivona Bosančić Lasić

Đina Vučković

Baritone

Felipe Cudina Begovic

The Baron Douphol

Vlatko Belas

Joško Tranfić

The Marquis of Obigny

Tenor

Lovre Gujinović

Gaston

Mate Akrap

The doctor Grenvil

Maija Skille

Mezzo-soprano

Branka Pleština Stanić

Annina

Ana Malovan

Neda Pejković

Goran Velić

Giuseppe

Tonči Banov

Flora's Servant

Conductor

Jure Bučević

Stage director

Robert Bošković

Set designer

Slaven Raos

Costume designer

Mladen Radovniković

Lana Kos

Violetta Valery

Олеся Токаренко

Max Jota

Alfred Germont

Pedro Carrillo-Perera

George Germont

Marko Lasić

Nela Saric

Filip Filipović

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

La Traviata -  (La traviata)

Split

Croatia

La traviata

Public

Approved

La traviata Verdi

The most performed opera in the world returns to the stage of HNK Split. The musical drama about a Parisian courtesan, a "fallen woman" who sacrifices everything for love, is the pinnacle of Verdi's genius. From the intoxicating happiness of the tipple ( Brindisi ) to the muted moving third act where hope and despair meet, La traviata is a deeply emotional Belcanto masterpiece by the greatest operatic master.

Verdi's Violetta Valéry from La Traviata was previously Dumas' Marguerite Gauthier from The Lady with the Camellias, and before that she was the Parisian courtesan Marie Duplessis. Namely, that's what she called herself because she didn't like her own village origin as well as her real name Alphonsine Plessis. Dumas will say that she had both heart and spirit, and that is probably why she ended up young, unhappy and poor. Despite the initial failure, nothing could prevent Verdi from staging this stumbling heroine whose life milestones he turned into one of the most popular works in the world opera repertoire. The clarity of the plot and the overriding presence of one moral idea—the ideal of love that survives all human attempts to exploit and corrupt it—caused Verdi to use a recurring theme more fully than in any earlier opera.

Based on the play The Lady with the Camellias by Alexandre Dumas son, Verdi and his librettist Francesco Maria Piave created an all-time, moving musical-stage story about sacrifice and redemption, the hypocrisy of conventional bourgeois morality, but above all about love.

After the fiasco of the first performance in 1854 in the Venetian Teatro La Fenice, La traviata won the hearts of opera lovers with subsequent productions and has remained with them to this day. For Verdi, it meant a big step forward in his quest to express dramatic ideas through music. In the entire soprano repertoire, the arias from La traviata are among the most challenging and appreciated.

In the center of the plot is the Parisian courtesan Violetta Valéry and her love with Alfred Germont, which she renounces at the request of his father in order to preserve the family reputation of the Germonts. Traviata , along with Rigoletto and Troubadour , is generally considered the "ripest harvest of Italian romantic melodrama", with this opera being the most elegant and refined of the three.

English

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