Admin

Semperoper Dresden

Diretor de Palco

Diretor de Palco (+6)

Barbora Horáková

Cenógrafo

Cenógrafo (+1)

Eva Maria Van Acker

Estilista

Estilista (+1)

Annemarie Bulla

Designer de Iluminação

Designer de Iluminação (+3)

Fabio Antoci

Vídeo

Vídeo (+1)

Sarah Derendinger

Coreógrafo

Juanjo Arqués

Mestre de Coro

Mestre de Coro (+5)

Jan Hoffmann

Dramaturgo

Juliane Schunke

Barítono (+2)

Csaba Sándor

O Barão Douphol

Baixo-barítono (+4)

Vladyslav Buialskyi

O Marquês d'Obigny

Baixo (+3)

Martin-Jan Nijhof

O Dr. Grenvil

Soprano (+1)

Fernanda Allande

Annina

Orchestra

Staatskapelle Dresden

Semperoper

Chorus

Saxon State Opera Choir Dresden

Tenor (+2)

Simeon Esper

Gastone

Tuuli Takala

Violetta Valéry

Piotr Buszewski

Alfredo Germont

Barítono (+4)

James Rutherford

Giorgio Germont

Mezzo-soprano (+3)

Nicole Chirka

Flora Bervoix

Baixo (+1)

Ingolf Stollberg

Giuseppe

Wooram Lim

Um empregado doméstico de Flora

Barítono (+1)

Alexander Födisch

Ein Dienstmann(A Servant)

Maestro

Marta Gardolińska

Maestro (+1)

Gaetano d'Espinosa

Emily Pogorelc

Bekhzod Davronov

Barítono (+3)

Christoph Pohl

Stepanka Pucalkova

Frank Blümel

Reinhold Schreyer-Morlock

Holger Steinert

Tenor (+1)

Patrick Vogel

Stefano Ranzani

»La traviata«–directly translated as »the one who has lost her way«–is, of course, the Parisian courtesan Violetta Valéry. Already dying from an incurable lung disease, she falls in love with Alfredo Germont. Yet her feelings are in conflict with her way of life and all sense of reason; ultimately, her quest for freedom and happiness is defeated by the moral strictures of bourgeois society. When first performed in Venice in 1853, this story was considered scandalous: an opera about a courtesan who dies of tuberculosis and is also modelled on a real-life woman in Parisian society was an outrageous inno-vation for the time. Focusing on the complex relationship between Violetta, her lover Alfredo and his father Giorgio, Giuseppe Verdi created a captivating and fully-rounded character, expressed through music that shifts between lyrical bel canto passages and powerful musico-dramatic outbursts. Director Barbora Horáková Joly places »La traviata« in the dazzling world of 19th-century vaudeville.

Vídeos