Admin

Semperoper Dresden

Stage director

Stage director (+6)

Barbora Horáková

Set designer

Set designer (+1)

Eva Maria Van Acker

Costume designer

Costume designer (+1)

Annemarie Bulla

Lighting designer

Lighting designer (+3)

Fabio Antoci

Video

Video (+1)

Sarah Derendinger

Choreographer

Juanjo Arqués

Chorusmaster

Chorusmaster (+5)

Jan Hoffmann

Dramaturge

Juliane Schunke

Baritone (+2)

Csaba Sándor

Barone Douphol

Bass-baritone (+4)

Vladyslav Buialskyi

Marchese d'Obigny

Bass (+3)

Martin-Jan Nijhof

Dottore Grenvil

Soprano (+1)

Fernanda Allande

Annina

Orchestra

Staatskapelle Dresden

Semperoper

Chorus

Saxon State Opera Choir Dresden

Tenor (+2)

Simeon Esper

Gastone de Letorières

Tuuli Takala

Violetta Valery

Piotr Buszewski

Alfredo Germont

Baritone (+4)

James Rutherford

Giorgio Germont

Mezzo-soprano (+3)

Nicole Chirka

Flora Bervoix

Bass (+1)

Ingolf Stollberg

Giuseppe

Wooram Lim

Flora's Servant

Baritone (+1)

Alexander Födisch

Ein Dienstmann(A Servant)

Conductor

Marta Gardolińska

Conductor (+1)

Gaetano d'Espinosa

Emily Pogorelc

Bekhzod Davronov

Baritone (+3)

Christoph Pohl

Stepanka Pucalkova

Frank Blümel

Reinhold Schreyer-Morlock

Holger Steinert

Tenor (+1)

Patrick Vogel

Stefano Ranzani

»La traviata«–directly translated as »the one who has lost her way«–is, of course, the Parisian courtesan Violetta Valéry. Already dying from an incurable lung disease, she falls in love with Alfredo Germont. Yet her feelings are in conflict with her way of life and all sense of reason; ultimately, her quest for freedom and happiness is defeated by the moral strictures of bourgeois society. When first performed in Venice in 1853, this story was considered scandalous: an opera about a courtesan who dies of tuberculosis and is also modelled on a real-life woman in Parisian society was an outrageous inno-vation for the time. Focusing on the complex relationship between Violetta, her lover Alfredo and his father Giorgio, Giuseppe Verdi created a captivating and fully-rounded character, expressed through music that shifts between lyrical bel canto passages and powerful musico-dramatic outbursts. Director Barbora Horáková Joly places »La traviata« in the dazzling world of 19th-century vaudeville.

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