Name: La Voix humaine
Start: 2013-02-19T00:00:00.000Z
End: 2013-02-19T00:00:00.000Z
Location: Theater an der Wien

Organization

Singer

Soprano

Angelika Kirchschlager

The woman

Conductor

Stefan Vladar

Libretto

Gian Carlo Menotti

Jean Cocteau

Klemens Sander

baritone

Jennifer Davison

MEZZO-SOPRANO

MusikTheater an der Wien

La Voix humaine -  (The Human Voice)

Vienna

Austria

Theater an der Wien

The Human Voice

The Telephone

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Contralto

Countertenor

Baritone

Bass

Bass-baritone

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

LA VOIX HUMAINE
Francis Poulenc set the last phone call a woman made to her lover in his 1959 lyrical tragedy La voix humaine based on the play by Jean Cocteau. In the one-act play, the woman tries to make one last emotional contact through the phone and to keep an idea of ​​her lover. But the conversation remains the lonely monologue of the lonely woman. The piece addresses the social interaction with the already established medium of the telephone. Communicating with it means making everyday life easier through technical development, but human speechlessness remains the same.

THE TELEPHONE, OR L´AMOUR Á TROIS
Gian Carlo Menotti's comic one-act opera The Telephone, or L'amour à trois (1947) shows a couple with a problem: the telephone. Ben wants to propose to Lucy before he leaves, but Lucy is so fixed on her phone that he just doesn't get a chance to speak. The only way to make yourself heard is to call Lucy and propose to her over the phone. Ben realizes that a love between him and Lucy will always be a threesome, a love with the phone. Menotti shows in his libretto that the telephone has already established itself in society.

English

The Human Voice by Poulenc, The Telephone by Menotti, от (2013/2013), диригент Stefan Vladar, Theater an der Wien, Vienna, Austria

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