Name: Lalita Svete, Violin Lovorka Nemeš Dular, Piano Nina Prešiček Laznik, Piano Tomaž Sevšek, Organ Conductor: Davorin Mori Slovenian Philharmonic Orchestra
Start: 2024-04-17T00:00:00.000Z
End: 2024-04-17T00:00:00.000Z
Location: Slovenian Philharmonic

Admin

Festival Ljubljana

Conductor

Davorin Mori

Orchestra

Slovenska filharmonija

Instrumentalist

Ina Prešiček Laznik

piano

Lovorka Nemeš Dular

Lalita Svete

Violin

Tomaž Sevšek

Organ

Lalita Svete, Violin Lovorka Nemeš Dular, Piano Nina Prešiček Laznik, Piano Tomaž Sevšek, Organ Conductor: Davorin Mori Slovenian Philharmonic Orchestra

Ljubljana

Slovenia

Slovenian Philharmonic

Lalita Svete, Violin Lovorka Nemeš Dular, Piano Nina Prešiček Laznik, Piano Tomaž Sevšek, Organ Conductor: Davorin Mori Slovenian Philharmonic Orchestra: Strastra Kumar, A. (+2 More)

Public

Strastra

The Flow Of Time VII – Concerto For Two Pianos And Orchestra

Violin Concerto

Simon Samuel

Approved

Glasba kot umetniško delo obstaja v dveh pojavnih oblikah: kot glasbeni zapis na papirju, ki določa njeno identiteto, in v zvočni upodobitvi, ki osmisli njen pomen. Glasbena partitura je potemtakem nemi prikaz dela, ki potrebuje tolmača, posrednika in prevajalca, da jo zvočno preoblikuje. Izvajalca, torej, ki glasbeno delo oživi ter gradi most med skladateljevimi intencijami in poslušalcem.
Glasba kot interpretativna umetnost, ki je osrednja tema 38. Slovenskih glasbenih dnevov, je kompleksen in raznolik umetniški proces, ki zahteva uravnoteženost med tehnično brezhibnostjo in ekspresivno poglobljenostjo interpreta: zvestoba skladateljevemu zapisu je zato le podlaga, na kateri gradi svojo vizijo o izvajanem delu ter mu vliva edinstvenost, neponovljivost in osebno noto.
Otvoritveni koncert prihajajočega praznika glasbe osvetljuje slovensko glasbeno tvornost 21. stoletja, v soj žarometov pa postavi tri velika imena povojne generacije skladateljev. Prejemniki Kozinove nagrade Aldo Kumar, Tomaž Svete in Uroš Rojko so ustvarjalci t. i. mlade avantgarde, nadaljevalke naprednih tehnik in metod, ki so s stoletji izoblikovali lastne glasbene govorice, spoštljive, a samosvoje v odnosu do tradicije.
Bogati in žanrsko pestri opus Alda Kumarja pritegne z značilno komunikativnostjo glasbenega izraza, ki se kaže v skladateljevi priljubljenosti na domačih in tujih odrih. Med najodmevnejše se je zapisalo gostovanje v Sankt Peterburgu, kjer so Slovenski filharmoniki izvedli njegovo kompozicijo za orgle in orkester Strastra.  Zvočno barvno sliko, ki zažari v energiji oranžne topline, bomo slišali v interpretaciji enega najvidnejših slovenskih organistov Tomaža Sevška.
Vsestranski je tudi opus Tomaža Sveteta, prvaka slovenske operne ustvarjalnosti, čigar izjemna glasbena kreativnost se zrcali v močno poudarjeni ekspresivnosti, bogati glasbeni teksturi, kompleksnosti harmonskega stavka in čustveni poglobljenosti. V izvedbi mednarodno priznane violinistke Lalite Svete bo krstno zazvenel Koncert za violino in orkester,  ki je interpretki tudi posvečen.
Izviren in globoko premišljen je tudi razvejeni opus Uroša Rojka, čigar tehtne, arhitektonsko grajene kompozicije so podčrtane z nezmotljivo individualnostjo. Noviteta Odtekanje časa VII,  še ena v nizu skladateljevih istoimenskih skladb, ki črpajo iz minljivosti življenja, je ustvarjena za novi glasbi zavezani pianistki Lovorko Nemeš Dular in Nino Prešiček Laznik.

slovenščina

Music exists as an artistic work in two forms: as musical notation on paper, which defines its identity; and as its rendering in sound, which gives it meaning. A musical score is thus a mute representation of a work that requires an interpreter, a mediator and a translator to transform it into sound. A performer, in other words, who gives life to a musical work and builds a bridge between the composer’s intentions and the listener.
Music as interpretative art, which is the main theme of the 38th  Slovenian Music Days, is a complex and heterogeneous artistic process that requires a balance between the technical mastery and the expressive depth of the interpreter: fidelity to the composer’s score is merely the base on which the interpreter builds their own vision of the work they are performing, rendering it unique, unrepeatable and personal.
The opening concert of the upcoming festival of music shines a light on twenty-first-century Slovene musical creativity while at the same time placing the spotlight on three major names from the post-war generation of composers. Kozina Prize recipients Aldo Kumar, Tomaž Svete and Uroš Rojko are composers of the so-called young avant-garde, representing a continuation of progressive techniques and methods, who over the course of decades have evolved their own musical languages that are respectful of tradition but at the same time original.
Aldo Kumar’s rich and varied oeuvre is distinguished by a characteristic communicativeness of musical expression that is reflected in the composer’s popularity at home and abroad. His greatest triumphs include a performance of his composition Strastra  for organ and orchestra by the Slovenian Philharmonic Orchestra in St Petersburg. The colourful sonic palette of this work, glowing with the energy of orange warmth, will be interpreted by one of Slovenia’s most prominent organists, Tomaž Sevšek.
Another composer with a many-faceted oeuvre is Tomaž Svete, a leading figure in Slovene opera, whose extraordinary musical creativity is reflected in heightened expressiveness, a rich musical texture, harmonic complexity and emotional depth. International violinist Lalita Svete will give the premiere performance of his Concerto for Violin and Orchestra, a work of which she is also the dedicatee.
The varied oeuvre of Uroš Rojko, whose weighty, architectonically constructed compositions are shot through with unerring individuality, is also original and profoundly thoughtful. His new work Running Out of Time VII,  the latest in a series of compositions with the same name that draw inspiration from the transience of life, was written for two pianists with a strong commitment to new music: Lovorka Nemeš Dular and Nina Prešiček Laznik.

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