Artist

Admin

Stage director

Elena Medyakova

Conductor

Aleh Lessoun

Singer

Bass

Andrei Klipo

Agata Scannagalli

Soprano

Elena Tabolich

Luigia Castragatti

Iryna Kuchynskaya

Denis Yantsevich

Director of the theatre

Ilya Pevzner

Aleksander Krasnodubsky

Maestro

Sergey Lazarevich

Anna Gurieva

Daria Garbinati, prima donna

Elena Zolova

Contralto

Kriskentia Stasenko

Dorotea Frescopane

Marina Moroz

Elena Salo

Tenor

Nelepa Yanosh

Guglielmo Antolstoinoff

Bolshoi Theatre of Belarus

Le convenienze ed inconvenienze teatrali -  ("Viva la mamma")

Public

"Viva la mamma"

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

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Writing and performance

Baritone

Bass-baritone

Mezzo-soprano

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Le convenienze ed inconvenienze teatrali

This is an opera about an opera. A theater stage appears on the stage, where the troupe is preparing for the premiere of a famous opera. Characters-artists - prima donna Corilla, touchy and capricious tenor Guglielmo, mezzo-soprano Dorothea, as well as debutante Luigia, who remained in the shadow of the prima donna's fame - at first act in concert, but gradually their professional ambitions and personal interests begin to prevail over the goal of staging a performance and result in a series of theatrical intrigues, love stories and comic situations. The situation is aggravated to the limit by mother Agatha, who bursts onto the stage with demands to give her daughter Luigia the main role in the play.
The actors quarrel, the production falls apart before our eyes. But in the end, mother Agatha saves the day. Premiere - to be.

Opera "Viva la mamma!" in any country it is traditionally performed in two languages. All parts - solo numbers and dialogues of heroes - are translated into a language understandable to the public, fragments of the opera seria, which the heroes of the performance rehearse - in Italian.

English

Это «опера об опере». На сцене появляется… сцена театра, на которой труппа готовится к премьере известной оперы. Персонажи-артисты – примадонна Корилла, обидчивый и капризный тенор Гульельмо, меццо-сопрано Доротея, а также дебютантка Луиджия, оставшаяся в тени славы примадонны – поначалу действуют согласованно, но постепенно их профессиональные амбиции и личные интересы начинают преобладать над целью поставить спектакль и выливаются в серию театральных интриг, любовных историй и комических ситуаций. До предела ситуацию обостряет мама Агата, которая врывается на сцену с требованиями предоставить ее дочери Луиджии главную роль в спектакле.
Артисты ссорятся, постановка разваливается на глазах. Но в итоге мама Агата и спасает положение. Премьере – быть.

Опера «Viva la mamma!» в любой стране исполняется, по традиции, на двух языках. Все партии – сольные номера и диалоги героев – звучат в переводе на понятный публике язык, фрагменты оперы-seria, которую репетируют герои спектакля – на итальянском.

русский

"Viva la mamma" by Donizetti, Frá (2016/2016), Leikstýrt af Elena Medyakova,, Hljómsveitarstjóri Aleh Lessoun

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