Organization

Singer

Bass

Christian Henneberg

Figaro

Soprano

Lena Langenbacher

Susanna

Baritone

Maximilian Krummen

The Count of Almaviva

Natalija Cantrak

The Countess of Almaviva

Mezzo-soprano

Katarzyna Włodarczyk

Cherubino

Jussi Juola

Bartolo

Takako Onodera

Marcelline

Tenor

Ted Schmitz

Basilio

Anna Krasnoselskaya

Barbarina

Nils Pille

Antonio

Don Curzio

Akane Matsui

First bridesmaid

Alice Löw Pereira

Second bridesmaid

Dramaturge

Jens Ponath

Chorus master

Frank Flade

Stage director

Rainer Holzapfel

Conductor

Martin Hannus

Costume designer

Lisa Brzonkalla

Set designer

Head of studies

Hans-Christoph Borck

Musical rehearsal

Ralph Zedler

Teodora Belu

Stage Management

Babette Bartz

Prompt

Christiane Blumeier-Braun

Director of Studies

Assistant Director

Leonie Haupt

Volkstheater Rostock

Orchestra

Norddeutsche Philharmonie Rostock

Others

Opera Choir of the Volkstheater

Opernchor des Volkstheaters

италиански

Le nozze di Figaro -  (The Marriage of Figaro)

Rostock

Germany

Halle 207

Le nozze di Figaro Mozart

Public

The Marriage of Figaro

немски

Approved

A testosterone-controlled count tries to prevent the planned wedding of his personal servant by all means in order to be able to seduce his bride. But this allies itself with the wife of the count, and together the two try to escape his maddened advances and attacks of jealousy. At the end of this great day, during which all masks fall, the women set a midnight trap for the count. When he taps into it, a small miracle takes place: the count repents and kneels down to beg her pardon
from his wife ... The world premiere of Le nozze di Figaro1786 at the Vienna Burgtheater was Mozart's first collaboration with Lorenzo Da Ponte. Since the underlying French comedy by Beaumarchais was banned in Vienna, Da Ponte deleted part of the political content, but he and Mozart achieved an unparalleled comedic masterpiece in which all emotions are penetrated to the last. In this turbulent world theater of love , a relentless portrayal of morals develops into a social and erotic utopia in which all people, regardless of their gender, social origin and position, have equal rights.

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