Admin

Wiener Staatsoper

Stage director

Stage director (+8)

Barrie Kosky

Set designer

Rufus Didwiszus

Costume designer

Costume designer (+1)

Victoria Behr

Lighting designer

Lighting designer (+3)

Franck Evin

Soprano (+1)

Slávka Zámečníková

Susanna

Orchestra

Vienna State Opera Orchestra

Vienna State Opera

Mezzo-soprano (+4)

Stephanie Houtzeel

Marcelline

Bass (+2)

Stefan Cerny

Bartolo

Bass (+3)

Wolfgang Bankl

Antonio

Soprano (+3)

Hannah-Theres Weigl

Barbarina

Assistant Set Designer

Jan Freese

Chorus

Vienna State Opera Choir

Soprano (+2)

Hanna-Elisabeth Müller

The Countess of Almaviva

Conductor

Music director (+3)

Ivor Bolton

Baritone (+4)

Andrè Schuen

The Count of Almaviva

Bass (+4)

Peter Kellner

Figaro

Mezzo-soprano (+3)

Isabel Signoret

Cherubino

Ileana Tonca

Tenor (+2)

Michael Gniffke

Basilio

Andrea Giovannini

Don Curzio

Baritone (+3)

Leonardo Neiva

Bass-baritone (+2)

Philippe Sly

Patricia Nolz

Conductor (+2)

Philippe Jordan

Tenor

Norbert Ernst

Tenor (+4)

Matthäus Schmidlechner

Soprano

Federica Lombardi

It was supposed to be the best day for Susanna and Figaro: Their wedding day. But Count Almaviva is stalking the bride.

Don Basilio pesters Susanna with his intercession for the Count, Marcellina wants to sue for the old marriage contract with Figaro and Doctor Bartolo supports her, also out of old anger against Figaro. And then there is the page Cherubino, who is in love with all the women and whom all the women want to have around, preferably disguised as a girl ... Only with the combined forces of Figaro's imagination, Susanna's cleverness and the support of the betrayed countess can this "great day" be brought to a happy end.

In Barrie Kosky's fast-paced production, Susanna and Figaro have to fight their way through the magnificent rooms of Almaviva's palace from the narrow space the Count has allocated them before the outside space finally opens up as a perspective in the fourth act. Barrie Kosky: "We know from Shakespeare that a garden or a forest - especially in the evening - is a democratic space. Anything is possible there."

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