Organization

Singer

Silent

Maxime Nourissat

Servant of Dulcamara

Actor

Andrew Hayler

Anthony Kurt Gabel

Luke Murphy

Conductor

Ben Gernon

Stage director

Annabel Arden

Set designer

Lez Brotherston

Costume designer

Choreographer

Leah Hausman

Lighting designer

Giuseppe di Iorio

Soprano

Nardus Williams

Adina

Tenor

Liparit Avetisyan

Nemorino

Matteo Desole

Baritone

Biagio Pizzuti

Belcore

Bass

Renato Girolami

Doctor Dulcamara

Chorus master

Aidan Oliver

Laurène Paternò

Giannetta

Others

The Glyndebourne Chorus

Orchestra

London Philharmonic Orchestra

Glyndebourne

意大利文

L'elisir d'amore -  (The Elixir of Love)

Lewes

United Kingdom

Glyndebourne Festival

Main Stage

L'elisir d'amore

Public

The Elixir of Love

英文

Approved

Light, lyrical and bursting with energy, L’elisir d’amore (The Elixir of Love) returns to our stage for Festival 2023.Nemorino loves Adina, but she’s dazzled...

L'elisir d'amore Donizetti

Annabel Arden’s joyful production of L’elisir d’amore has become a real Festival favourite. Over the years it has become the vehicle for plenty of young stars, who’ve gone on to make their mark.

The latest soprano to step into Adina’s stylish shoes is Nardus Williams. In the video below Nardus tells us about her Glyndebourne journey, from the chorus to singing principal roles in Festival and Tour. Plus, chorus master Aidan Oliver tells us more about the many ways that Glyndebourne supports young talent.

Sophisticated and wealthy, Adina is the toast of her small Italian town. Country boy Nemorino loves her, but she only has eyes for Belcore, the smooth-talking sergeant who has swept her off her feet. So when a travelling doctor arrives in town Nemorino pins all his hopes on a magical love potion. But nothing in this topsy-turvy comedy is ever quite as it seems…

Light, lyrical and bursting with energy, L’elisir d’amore was the biggest success of Donzietti’s career – a comedy with the softest of hearts and the sweetest of melodies, including Nemorino’s much-loved aria ‘Una furtive lagrima’. Updating the action to the 1940s, Annabel Arden’s production celebrates the opera’s original joyful, colourful spirit, painting an affectionate picture of an Italy on the brink of political change. Ben Gernon conducts.

English

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