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Royal Ballet and Opera

Opera Australia

Teatro La Fenice

Opéra de Lyon

Режиссер-постановщик

Режиссер-постановщик (+3)

Damiano Michieletto

Художник-постановщик

Художник-постановщик (+1)

Paolo Fantin

Художник по костюмам

Художник по костюмам (+2)

Carla Teti

Художник по свету

Alessandro Carletti

Хореограф

Хореограф (+1)

Chiara Vecchi

Дирижер

Дирижер (+1)

Antonello Manacorda

Бас-баритон (+4)

Alex Esposito

Линдорф

Коппелиус

Сопрано (+1)

Olga Pudova

Олимпия

Ermonela Jaho

Антония

Сопрано (+2)

Marina Costa-Jackson

Джульета

Меццо-сопрано (+3)

Julie Boulianne

Nicklausse

Дапертутто

Миракль

Тенор (+1)

Christophe Mortagne

Андреас

Кошниль

Франц

Питтикиначчо

Тенор

Vincent Ordonneau

Спаланцани

Бас (+4)

Alastair Miles

Креспель

Меццо-сопрано (+6)

Christine Rice

La Muse

Голос матери Антонии

Бас-баритон (+5)

Jeremy White

Лютер

Баритон (+2)

Grisha Martirosyan

Германн

Шлемиль

Ryan Vaughan Davies

Натаниэль

Orchestra

Orchestra of the Royal Opera House

Хормейстер

Хормейстер (+2)

William Spaulding

Royal Opera House

Chorus

Chorus of the Royal Opera House

Тенор (+7)

Juan Diego Flórez

Гофман

Тенор (+2)

Leonardo Caimi

Olivier award-winning director Damiano Michieletto (Carmen, Cavalleria rusticana/Pagliacci) returns to The Royal Opera for a new production of Offenbach’s The Tales of Hoffmann. Conductor Antonello Manacorda, with whom Michieletto previously collaborated on Carmen, leads Juan Diego Flórez and Leonardo Caimi, who share the role of the poet E.T.A. Hoffmann, Alex Esposito as the Four Villains, Julie Boulianne as Nicklausse and Ermonela Jaho, Olga Pudova and Marina Costa-Jackson as Hoffmann’s unforgettable trio of lovers.

POPULAR TUNES
Offenbach's best-known musical work may be the 'can-can', but The Tales of Hoffmann has its own fair share of popular tunes, including the lilting Bacarolle. Traditionally sung by Venetian gondoliers, Offenbach's take, ‘Belle nuit, ô nuit d’amour’ (Beautiful night, oh night of love), is a duet for soprano and mezzo-soprano, featuring the courtesan, Giulietta, and Hoffmann’s loyal companion, Nicklausse. Olympia’s Song is a dazzling showcase for the soprano voice at its most acrobatic. In the original opera libretto, she is a living doll who runs out of power part-way through her song, and requires ‘winding up’ to resume her performance.

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