Name: L'incoronazione di Poppea
Start: 2010-05-16T00:00:00.000Z
End: 2010-05-28T00:00:00.000Z
Location: Teatro Real

Organization

Певец

Сопрано

Danielle de Niese

Поппея

Контратенор

Philippe Jaroussky

Нерон

Anna Bonitatibus

Оттавия

Max Emanuel Cencic

Оттон

Ana Quintans

Друзилла

Контральто

José Lemos

Нутриче

Robert Burt

Арнальта

Тенор

Terry Wey

Лукан

Mathias Vidal

Бас

Damian Whiteley

Меркурий

Дирижер

William Christie

Режиссер-постановщик

Pier Luigi Pizzi

Художник-постановщик

Художник по костюмам

Художник по свету

Sergio Rossi

Claire Debono

Фортуна

Katherine Watson

Добродетель

Hanna Bayodi-Hirt

Амур

Antonio Abete

Сенека

Suzana Ograjenšek

Камердинер

Паллада

Венера

Дамигелла

Andreas Wolf

Вольноотпущенник

Juan Sancho

Двое солдат

David Webb

Ликтор

домочадца Сенеки

Tribuno

Consoli

Хореограф

Roberto Maria Pizzuto

Teatro Real de Madrid

Others

Les Arts Florissants

L'incoronazione di Poppea -  (Коронация Поппеи)

Мадрид

Испания

Teatro Real

Virtue, Fortune and Love compete for superiority over mankind in the prologue to the most erotic opera of the 17th century, L’incoronazione di Poppea. Composed by Claudio Monteverdi at the age of 75, it was first performed in 1642 at the Teatro dei Santi Giovanni e Paolo, in Venice.

This dialectical confrontation between Virtue and Fortune gives rise to overpowering passions, embodied by characters such as Nerone (unrestrained desire), Poppea (the lust for power) and Ottavia (the drive for vengeance) and opposed by the Stoic morality of the philosopher Seneca and the sincere love of Ottone. 35 years after his experimental Orfeo, Monteverdi’s L’incoronazione di Poppea presents the innovations of mid-17th century Venetian opera: the absence of dances and choruses, a smaller orchestra, and the exaltation of vocal melody. A vocal continuum, ranging from recitative to ariosi, strophic arias and ensembles, made use of all the then current resources of vocal language; human emotions are expressed in sound with an unknown level of characterisation and psychological refinement up to that time.

This was the first opera about historical figures, real people, rather than portraying characters who embody emotional states. L’incoronazione di Poppea attempts to perceive and hear how these emotions appear and evolve, how they seduce and move us, how they invite us to enter the unstable and decentralised space of the Baroque world: the always subtle shift from recitative to arioso and cantabile, from cool intellect to hot blood, from reason to ecstasy, shapes a musical drama of human relationships, where the map is the geometry of the soul in movement.

L'incoronazione di Poppea by C.Monteverdi, from Teatro Real, 2010. Directed by Pier Luigi Pizzi, conductor William Christie, starring Danielle de Niese, Philippe Jaroussky, Katherine Watson, Robert Burt, Ana Quintans, Antonio Abete, Max Emanuel Cencic, Anna Bonitatibus, Claire Debono, Damigella, José Lemos, Hanna Bayodi-Hirt and Suzana Ograjenšek. Performed in Italian and subtitled in English, German, Spanish, French and Italian.

L'Incoronazione di Poppea by Monteverdi is the last Opera of the Monteverdi trilogy filmed by the Italian label and producer Dynamic at the Teatro Real, Madrid.

L'incoronazione di Poppea Monteverdi

Коронация Поппеи

Одобрено

Фото