Name: L'italiana in Algeri
Start: 2018-05-18T00:00:00.000Z
End: 2018-05-20T00:00:00.000Z
Location: Haus für Mozart

Organization

Diretor de Palco

Patrice Caurier

Maestro

Jean-Christophe Spinosi

Moshe Leiser

Cenógrafo

Christian Fenouillat

Estilista

Agostino Cavalca

Designer de Iluminação

Christophe Forey

Designer de Vídeo

Etienne Guiol

Dramaturgo

Christian Arseni

Cantor

Mezzo-soprano

Cecilia Bartoli

Isabella

Baixo

Peter Kálmán

Mustafá

Tenor

Edgardo Rocha

Lindoro

Barítono

Alessandro Corbelli

Taddeo

José Coca Loza

Haly

Soprano

Rebeca Olvera

Elvira

Rosa Bove

Zulma

Mestre de Coro

Walter Zeh

Salzburger Festspiele

Wiener Staatsoper

Others

Philharmonia Chorus

italiano

alemão

L'italiana in Algeri -  (A Italiana em Argel)

Salzburgo

Áustria

Haus für Mozart

L'italiana in Algeri Rossini

Public

A Italiana em Argel

inglês

Approved

Mustafà, the Bey of Algiers, is fed up with his wife and resolves to discard her for someone with more exotic charms: an attractive Italian girl would be just the ticket. On cue, his pirates intercept the shipwrecked Isabella, who has come looking for her lover, Lindoro. Does a future beckon as the star of Mustafà’s harem? The feisty Isabella is not so easily fazed, and her very first encounter with the sex-hungry Bey confirms her in her tried and tested strategy: coquetry and flattery are her weapons of choice. Soon, a disoriented Mustafà is all at sea. Smug machismo and emancipatory insubordination intersect at the heart of this equally comical and bizarre plot, in which two alien cultures also surprise each other with some strange rituals. In this way a dubious Oriental title is foisted upon one of the Italians, who for their part initiate Mustafà into a fellowship devoted to eating, drinking and sleeping. The real joke, however, lies in the music: L’italiana in Algeri (1813) marks the first full blossom of Rossini’s comic genius, at its most irresistible in moments like the finale of Act I, when the utterly bewildered characters stiffen into marionettes, becoming cogs in an electrifying machinery of rhythm and sound. Stendhal aptly called this music ‘organized and complete madness’.

English

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto

Co-produtor