Admin

Organization

Regie

Claudia Meyer

Bühnenbild

Kostümbild

Regine Standfuß

Videogestaltung

Ron Petraß

Chordirektion

Christian Möbius

Dramaturgie

Katharina Duda

Sänger

Sopran

Ketevan Chuntishvili

Euridike

Tenor

Daniel Foki

Orfeus

Rahel Brede

Die Musik

Die Nymphe

Die Botin

Dirk Kleinke

Erster Geist

Thorsten Coers

Zweiter Geist

Echo

Dirigat

Johannes Zurl

Musical assistance

Frank Bernard

Andreas Simon

Choir assistant

Christian Georgi

Bass

Ulrich Schneider

Karonte

Philip Mayers

Pluto

Erster Hirt

Zweiter Hirt

Instrument

Michael Wilhelmi

Staatstheater Cottbus

Orchestra

Philharmonisches Orchester des Staatstheater Cottbus

Others

Opernchor des Staatstheater Cottbus

Italienisch

Deutsch

L'Orfeo -  (Orpheus)

Cottbus

Deutschland

Kammerbühne

L'Orfeo Monteverdi

Public

Orpheus

Genehmigt

A modern myth based on the opera by Claudio Monteverdi Musical adaptation and new composition by Michael Wilhelmi Performance in Italian and German with German surtitles World premiere Who else could be the opera's first hero than Orpheus, the ancient mythical singer? The artist, the musician, who overcomes death with his tones, is the incarnate symbol of this art form. For just a moment, he frees his beloved from the underworld before she disappears back into the shadows. And in terms of content, the opera from 1607 already contains everything that has driven music theater since then: death, emotional excess or (bar) measure, the power of love and the power of music. But where is Eurydice? Is she just the shadow in Orpheus' story? What are her wishes and does she even want to come back from the underworld? Claudio Monteverdi wrote his ORFEO in the spirit of the Florentina Camerata, an association of musicians concerned with a musical revival of ancient tragedy. In pursuit of this, the composer Michael Wilhelmi and the director Claudia Meyer translate Monteverdi's music into the present day in their adaptation. Musical arrangements, film sequences and texts from contemporary literature breathe new life into the "dramma per musica", this musical drama from the 17th century. The focus is on a timeless question: how to live after the loss of a loved one? PREMIERE DEC 4, 2021 O Big House Website: In their adaptation, the composer Michael Wilhelmi and the director Claudia Meyer translate Monteverdi's music into the present day. Musical arrangements, film sequences and texts from contemporary literature breathe new life into the "dramma per musica", this musical drama from the 17th century. The focus is on a timeless question: how to live after the loss of a loved one? PREMIERE DEC 4, 2021 O Big House Website: In their adaptation, the composer Michael Wilhelmi and the director Claudia Meyer translate Monteverdi's music into the present day. Musical arrangements, film sequences and texts from contemporary literature breathe new life into the "dramma per musica", this musical drama from the 17th century. The focus is on a timeless question: how to live after the loss of a loved one? House Website:https://www.staatstheater-cottbus.de/

Who but Orpheus, the ancient mythical singer, could be the opera's first hero? The artist, the musician, who overcomes death with his tones, is the incarnate symbol of this art form. For just a moment, he frees his beloved from the underworld before she disappears back into the shadows. And in terms of content, the opera from 1607 already contains everything that has driven music theater since then: death, emotional excess or (bar) measure, the power of love and the power of music. But where is Eurydice? Is she just the shadow in Orpheus' story? What are her wishes and does she even want to come back from the underworld?

Claudio Monteverdi wrote his ORFEO in the spirit of the Florentina Camerata, an association of musicians concerned with a musical revival of ancient tragedy. In pursuit of this, the composer Michael Wilhelmi and the director Claudia Meyer translate Monteverdi's music into the present day in their adaptation. Musical arrangements, film sequences and texts from contemporary literature breathe new life into the "dramma per musica", this musical drama from the 17th century. The focus is on a timeless question: how to live after the loss of a loved one?

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Instrumentierung

Produktionsteam

Ensemble