Name: Lucia di Lammermoor
Start: 2019-08-24T00:00:00.000Z
End: 2020-05-22T00:00:00.000Z
Location: Novaya Opera Theatre

Admin

Organization

Conductor

Jan Latham-Koenig

Dmitry Volosnikov

Yuri Medianik

Stage director

Hans-Joachim Frey

Set designer

Petr Okunev

Lighting designer

Aivar Salikhov

Chorus master

Yulia Senyukova

Singer

Tenor

Mikhail Novikov

Lord Arthur Bucklaw

Soprano

Irina Bozhenko

Lucy

Irina Kostina

Maria Buinosova

Valeriya Bushueva

Nadezhda Kucher

Georgy Vasiliev

Sir Edgar of Ravenswood

Dmitry Bobrov

Alexey Tatarintsev

Nurlan Bekmukhambetov

Boris Rudak

Baritone

Andjey Beletsky

Lord Henry Ashton

Andrey Borisenko

Artyom Garnov

Alexander Martynov

Bass

Alexey Antonov

Raymond Bidebent

Sergey Artamonov

Otar Kunchulia

Vitaly Efanov

Dmitry Pianov

Alexander Skvarko

Mezzo-soprano

Galina Badikovskaya

Alice

Natalia Kreslina

Svetlana Skripkina

Irina Romishevskaya

Veniamin Egorov

Norman

Anton Bochkaryov

Maxim Ostroukhov

Novaya Opera

italiensk

Lucia di Lammermoor -  (Lucia of Lammermoor)

Moscow

Russia

Novaya Opera Theatre

Lucia di Lammermoor

Public

Lucia of Lammermoor

russisk

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Contralto

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Alto

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Continuo

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Музыкальный руководитель Ян Латам-Кёниг
Музыкальный руководитель Дмитрий Волосников
Дирижеры: Ян Латам-Кёниг, Дмитрий Волосников, Юрий Медяник
Режиссер Ханс-Йоахим Фрай 
Сценография и костюмы Пётр Окунев
Свет Айвар Салихов
Хормейстер Юлия Сенюкова

In Donizetti’s Lucia di Lammermoor (1835) there is everything that should attract a true music lover: a love story full of passion, the romantic atmosphere of Northern Britain where the opera is takes place, and,obviously, beautiful belcanto music.

Gaetano Donizetti’s opera was inspired by Sir Walter Scott’s novel The Bride of Lammermoor which was incredibly popular at that time. The conflict in the story is based on the long-standing feud between two Scottish clans, the Ravenswoods and the Ashtons, and is aggravated by Enrico Ashton’s sister Lucia’s love for Ravenswood’s son, Edgardo, which fact is perceived by the others as dishonour to the Ashton clan. To repair his dented political position, Enrico plans to marry his sister off to Lord Arturo Bucklaw. To that end, he tries to make her submit to the wedding by showing her a forged letter about Edgardo’s infidelity. Shocked with her lover’s unfaithfulness, Lucia signs the marriage contract with Lord Bucklaw, which act entails a swing of tragic events…

Love, jealousy, murder, madness… Lucia di Lammermoor is considered to be one of Donizetti’s most popular operas. The brilliant part of Lucia has invariably been in the repertoire of many celebrated sopranos, including Maria Callas, Joan Sutherland, Montserrat Caballé and Edita Gruberova. The tenor part of Edgardo is no less effective; the closer is the opera’s finale, the higher are the notes. Donizetti’s Lucia di Lammermoor is an example of the Italian romantic musical drama. Having absorbed the opera traditions of the previous period, it kind of throws a bridge between the Mozart musical theatre and Verdi’s dramatic operas.

English

Lucia of Lammermoor by Donizetti, Fra (2019/2020), Instrueret af Hans-Joachim Frey,, Dirigent Jan Latham-Koenig, Dmitry Volosnikov, Yuri Medianik, Novaya Opera Theatre, Moscow, Russia

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