Organization

Singer

Soprano

Irina Bozhenko

Lucy

Irina Kostina

Maria Buinosova

Nadezhda Pavlova

Baritone

Alexey Bogdanchikov

Lord Henry Ashton

Andjey Beletsky

Andrey Borisenko

Artyom Garnov

Boris Statsenko

Pavel Yankovsky

Tenor

Georgy Vasiliev

Sir Edgar of Ravenswood

Dmitry Bobrov

Alexey Tatarintsev

Nurlan Bekmukhambetov

Boris Rudak

Dmitry Pianov

Lord Arthur Bucklaw

Alexander Skvarko

Mikhail Novikov

Mezzo-soprano

Galina Badikovskaya

Alice

Natalia Kreslina

Svetlana Skripkina

Irina Romishevskaya

Bass

Alexey Antonov

Raymond Bidebent

Vitaly Efanov

Otar Kunchulia

Sergey Artamonov

Veniamin Egorov

Norman

Anton Bochkaryov

Maxim Ostroukhov

Stage director

Hans-Joachim Frey

Conductor

Jan Latham-Koenig

Dmitry Volosnikov

Yuri Medianik

Alexandru Samoila

Andrey Lebedev

Lighting designer

Aivar Salikhov

Costume designer

Petr Okunev

Set designer

Chorus master

Yulia Senyukova

Novaya Opera

italiera

Lucia di Lammermoor -  (Lucia of Lammermoor)

Moscow

Russia

Novaya Opera Theatre

Lucia di Lammermoor Donizetti

Public

Lucia of Lammermoor

errusiera

Approved

Музыкальный руководитель Ян Латам-КёнигМузыкальный руководитель Дмитрий ВолосниковДирижеры: Ян Латам-Кёниг, Дмитрий Волосников, Юрий МедяникРежиссер Ханс-Йоа...

"Лючия ди Ламмермур" Г. Доницетти (Московский театр "новая Опера")

In Donizetti’s Lucia di Lammermoor (1835) there is everything that should attract a true music lover: a love story full of passion, the romantic atmosphere of Northern Britain where the opera is takes place, and,obviously, beautiful belcanto music.

Gaetano Donizetti’s opera was inspired by Sir Walter Scott’s novel The Bride of Lammermoor which was incredibly popular at that time. The conflict in the story is based on the long-standing feud between two Scottish clans, the Ravenswoods and the Ashtons, and is aggravated by Enrico Ashton’s sister Lucia’s love for Ravenswood’s son, Edgardo, which fact is perceived by the others as dishonour to the Ashton clan. To repair his dented political position, Enrico plans to marry his sister off to Lord Arturo Bucklaw. To that end, he tries to make her submit to the wedding by showing her a forged letter about Edgardo’s infidelity. Shocked with her lover’s unfaithfulness, Lucia signs the marriage contract with Lord Bucklaw, which act entails a swing of tragic events…

Love, jealousy, murder, madness… Lucia di Lammermoor is considered to be one of Donizetti’s most popular operas. The brilliant part of Lucia has invariably been in the repertoire of many celebrated sopranos, including Maria Callas, Joan Sutherland, Montserrat Caballé and Edita Gruberova. The tenor part of Edgardo is no less effective; the closer is the opera’s finale, the higher are the notes. Donizetti’s Lucia di Lammermoor is an example of the Italian romantic musical drama. Having absorbed the opera traditions of the previous period, it kind of throws a bridge between the Mozart musical theatre and Verdi’s dramatic operas.

English

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