Name: Lyubov k tryom apelsinam
Start: 2023-10-31T00:00:00.000Z
End: 2024-05-03T00:00:00.000Z
Location: Primorsky Stage of the Mariinsky Theatre

Organization

Admin

Primorsky Stage of the Mariinsky Theatre

Conductor

Dusan Vilic

Pavel Smelkov

Valery Gergiev

Stage director

Alexander Petrov

Costume designer

Vyacheslav Okunev

Video designer

Victoria Zlotnikova

Lighting designer

Valentin Bakoyan

Igor Vints

Choreographer

Ilya Ustyantsev

Chorus master

Larisa Shveikovskaya

Singer

Bass

Vladislav Chibirev

King of Clubs

Yevgeny Plekhanov

Tenor

Ilya Astafurov

The Prince

Mingiyan Odzhaev

Alexei Smirnov

Vsevolod Marilov

Truffaldino

Yevgeny Mizin

Alexei Kostyuk

Baritone

César Méndez Silvagnoli

Pantalone

Nikita Odalin

Dmitry Migulyov

Sergey Krylov

Soprano

Alena Diyanova

Fata Morgana

Anastasiya Kikot

Svetlana Rozhok

Bat-Erdene Dorjtseden

The Wizard Celio

Vladimir Volkov

Set designer

Anastasia Gensler

Ninetta

rússneska

Lyubov k tryom apelsinam -  (The Love for Three Oranges)

Vladivostok

Russia

Great Hall

Lyubov k tryom apelsinam Prokofiev

Public

The Love for Three Oranges

Simon Samuel

enska

Approved

The Love for Three Oranges was composed by Prokofiev when he was thirty years old. Based on the tale by the 18th century Italian playwright Carlo Gozzi, this opera is a metaphor of the love for theatre and the carnival underside of the world, and for the impossibility to live outside the game. Having chosen the plot of Commedia dell’arte, the composer wrote an opera about opera, its wonders, clichés and absurdities, which were dear to the audience and to himself. Debunking the opera’s “untruths of life” using its own means turned out to be the best way to glorify those untruths. The opera is presented in a full-scale production staged by Alexander Petrov and designed by Vyacheslav Okunev in 1991.

English

Написанная тридцатилетним Прокофьевым по сказке итальянского драматурга XVIII века Карло Гоцци «Любовь к трём апельсинам» — метафора любви к театру и карнавальной изнанке мира, к невозможности жить вне игры. Избрав сюжет комедии дель арте, композитор сочинил оперу об опере, её чудесах, штампах и нелепостях, любезных зрителям и ему самому. Развенчать оперную «неправду жизни» её же средствами оказалось лучшим способом эту неправду воспеть. Опера представлена в полномасштабной постановке Александра Петрова и Вячеслава Окунева 1991 года.

русский

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