Organization

Singer

Baritone

Andrej Baturkin

Macbeth

Alexey Shishlyaev

Anton Zaraev

Soprano

Larisa Andreeva

Lady Macbeth

Natalia Muradymova

Irina Vashchenko

Bass

Felix Kudryavtsev

Banquo

Tenor

Chingis Ayusheev

Macduff

Vladimir Dmitruk

Evgeny Liberman

Malcolm

Valery Mikitsky

Mezzo-soprano

Ksenia Muslanova

Lady-in-waiting

Maria Pakhar

Mikhail Golovushkin

Doctor

Ilya Pavlov

Stage director

Kama Ginkas

Conductor

Felix Korobov

Lighting designer

Damir Ismagilov

Costume designer

Marija Danilova

Set designer

Sergey Barkhin

Choreographer

Tatiana Baganova

Chorus master

Stanislav Lykov

Stanislav Chernenkov

A Servant of Macbeth

Maria Lupareva

Second Apparition

Gabriel De Rel

Third Apparition

Arif Dadashev

Maxim Osokin

Assassin

Stanislavsky and Nemirovich-Danchenko Academic Music Theatre

ítalska

Moscow

Russia

Stanislavsky and Nemirovich-Danchenko Music Theater

Main stage

Macbeth Verdi

Public

Approved

Opera by Giuseppe Verdi Musical Director and Conductor: Felix Korobov Stage Director: Kama Ginkas Set Design: Sergei Barkhin Costume Design: Maria Danilova Premiere: June 20, 2018
https://stanmus.ru/shows/makbet/
 

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Opera by Giuseppe Verdi
Conductor: Felix Korobov
Director: Kama Ginkas
Set Designer: Sergey Barkhin
Costume Designer: Maria Danilova

Premiere: June 20, 2018
https://stanmus.ru/en/shows/makbet/

Macbeth is the first of three operas written by Verdi based on Shakespeare. In the bloody plot, the composer found everything that excited him and gave birth to inspiration: big politics, raging human passions and a meeting with fantastic infernal forces.

Verdi was consumed by the dramatic power of Macbeth and called Shakespeare's play one of humanity's greatest creations. In collaboration with Francesco Maria Piave, he wrote the text of the libretto and created an innovative work that synthesized drama and music. Verdi recorded a complex palette of emotions of each character, subordinating singing to dramatic action – and eventually created one of the greatest musical tragedies.

While directors everywhere continue to transfer the action to the present, Kama Ginkas immerses us in prehistoric times. The space of Sergey Barkhin resembles a Martian landscape, together with the director, the artist takes the action of a well-known opera beyond the usual associations and allusions. Thanks to this, their performance goes out of everyday space into the macrocosm of human existence.

English

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