Organization

Sänger

Bass

Jin Seok Lee

Banquo

Sopran

Roxana Herrera Díaz

Lady Macbeth

Tenor

Roberto Gionfriddo

Macduff

Junbum Lee

Malcolm

Dirigat

Ektoras Tartanis

Regie

Andriy Zholdak

Lichtgestaltung

Bühnenbild

Daniel Zholdak

Videogestaltung

Kostümbild

Simon Machabeli

Chordirektion

Norbert Kleinschmidt

Dramaturgie

Tatjana Beyer

Bariton

Juan Orozco

Macbeth

Mezzosopran

Janina Staub

Kammerfrau der Lady Macbeth

Lorenz Kauffer

Ein Arzt

Pascal Hufschmid

Mörder

Stavros-Christos Nikolaou

Herold

Jae Seung Yu

Ein Diener Macbeths

Anja Steinert

Third Apparition

Margarete Nüßlein

Second Apparition

James Turcotte

First Apparition

Theater Freiburg

Others

Extrachor des Theater Freiburg

Opernchor des Theater Freiburg

Orchestra

Philharmonisches Orchester Freiburg

Extras of the Theater Freiburg

Freiburg im Breisgau

Deutschland

Großes Haus

Public

Genehmigt

"The murder continues" - what reads like the oneliner for a contemporary Netflix series, would also do well as a subtitle for Shakespeare's MACBETH. This is not surprising, as it is William Shakespeare who continues to set the bar in the merciless, violent and greedy disputes over claims to property and power. Giuseppe Verdi already knew that when he decided to put what he considered to be the greatest poet of all time to music for the first time. A risk - and Verdi was aware of the magnitude of his undertaking when he wrote to his librettist: “This tragedy is one of the greatest human creations! If we can't do anything great, we at least try to do something extraordinary. ”Verdi has achieved great things: His musical royal couple braces themselves
desperately against physical and psychological decomposition - to no avail. Macbeth, the regicide, cannot find a quiet minute after the act and the lady, who is the driving force behind the supposedly more robust psyche, succumbs to the severity of the common offenses. Verdi's melodic wealth spans from brutal to delirious - his only point of reference: the will-o'-the-wisps of the scenic moment. The tones of the voices and the colors of the night are extraordinary. Taken together, they make up the specific tinta musicale of this opera. The Ukrainian director Andriy Zholdak is also looking for the extraordinary, who brings exciting music theater evenings to the theater landscape across Europe. With him, the star director comes back to the Freiburg Theater, who already had the oppressively intense last season
STABAT MATER brought Pergolesis to the stage with great success. After working in Lyon and St. Petersburg, he is now devoting himself verve to the Verdi setting by finding scenic equivalents for the musical unrest images. However, he cannot stop the murder of the Lord and Lady either. Your behavior has become compulsive.

And so it goes on and on. Only the night stands still - and refuses to wake up from the
anguish of hell.

English

Macbeth by Verdi, Ab (2022/2022), Unter der Regie von Andriy Zholdak,, Dirigat Ektoras Tartanis, Großes Haus, Freiburg im Breisgau, Deutschland

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Programm, Über & Zusammenfassung

Rezensionen

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Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte