Name: Maisky
Start: 2020-01-16T00:00:00.000Z
End: 2020-01-16T00:00:00.000Z
Location: Müpa Budapest

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Hungarian National Philharmonic

Conductor

Zsolt Hamar

Orchestra

Instrumentalist

Cellist

Mischa Maisky

Cello solo

Violinist

Sascha Maisky

Violin solo

Pianist

Lily Maisky

Piano

Müpa Budapest

Maisky

Budapest

Hungary

Béla Bartók National Concert Hall

Maisky: Triple Concerto, op. 56 Beethoven (+1 More)

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Concert

Oratorio / Orchestral

Concerto for Violin, Cello, and Piano in C major, op. 56

Symphony No. 1

Saileshwaran Thirumurthy

Approved

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Spoken

The hunter’s funeral. The coffin is drawn by rabbits as a deer weeps into its handkerchief and a grim wild boar stares off into space. Gustav Mahler would have been familiar with this often-reproduced picture from his native land, now known as the Czech Republic. This is what inspired the movement of his Symphony No. 1 that starts with a melody known all over Europe, in English- and French-speaking lands as (“Frère Jacques”), and continues with tempos of the sort of lovable kitschiness that can be heard from klezmer bands today. This would be the fourth movement of his First Symphony. Or perhaps it is the third movement. This is because, at the work’s première, it consisted of five movements, although the composer later saw fit to omit the second. The famous world première took place in Budapest. From the autumn of 1888 until the spring of 1891, Mahler served as the head of the Hungarian Royal Opera and made use of the opportunity to present his new work to the audience. There was a bit of a fuss, with the distinguished public finding the work’s bizarre sound world difficult to digest, with one newspaper even publishing a malicious cartoon with an unflattering caption playing on his name, A Malér-szyfónia, (“The Mess-symphony”). But the performance itself went down without a hitch, and Mahler was satisfied with how the Hungarian musicians had played.

Preceding Mahler’s “Budapest” symphony will be a performance of Beethoven’s Triple Concerto, as a family undertaking. Mischa Maisky will play the cello part, with his son Sascha on violin and daughter Lily on piano – the latter part Beethoven originally intended for Archduke Rudolf, who was a respectable pianist. Nevertheless, Rudolf’s aristocratic fingers remained unburdened at the piece’s first public performance.

English

Temetik a vadászt. Nyulak vontatják a koporsót, őzike sírja tele a zsebkendőjét, komor vaddisznó mered maga elé. A kép sokszorosított változatát még szülőföldjén, a mai Csehország területén ismerhette meg Gustav Mahler. Ez inspirálta I. szimfóniájának azt a tételét, amely Európa-szerte közismert dalocskával kezdődik (János bácsi…), s olyan vulgárisnak ható taktusokkal folytatódik, amelyekhez hasonlókat manapság klezmerzenekaroktól hallhatunk. Az I. szimfónia negyedik tétele ez. Vagy inkább a harmadik. A premieren ugyanis a mű még öt tételből állt, utóbb a másodikat a zeneszerző jobbnak látta elhagyni. Budapesten volt a nevezetes ősbemutató. Mahler 1888 őszétől 1891 tavaszáig a Magyar Királyi Operát igazgatta, s kihasználta az alkalmat, itt vitte új művét közönség elé. Lett némi ribillió, a bizarr hangzásvilágot nehezen emésztette meg a nagyérdemű publikum, az egyik újság gonoszkodó karikatúrát is megjelentetett A Malér-szyfónia címmel. De maga az előadás baj nélkül lement, s Mahler elégedett volt a magyar zenészek teljesítményével.

A „budapesti” Mahler-szimfónia előtt Beethoven Hármasversenye hangzik fel, családi vállalkozásban. Mischa Maisky játssza a csellószólamot, Sascha a hegedűt és Lily a zongorát – amit Beethoven eredetileg Rudolf főhercegnek szánt, aki tisztes zongorista volt ugyan, de azért arisztokratikus ujjait végül mégsem fárasztotta az első nyilvános előadáson.

magyar

Maisky by Beethoven, Mahler, Frá (2020/2020), Hljómsveitarstjóri Zsolt Hamar, Müpa Budapest, Budapest, Hungary

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