Organization

Conductor

Dario Vučić

Stage director

Ivan Leo Lemo

Choreographer

Belma Čečo Bakrač

Set designer

Vesna Režić

Costume designer

Amna Kunovac Zekić

Assistant Director

Gordan Simić

Assistant Conductor

Alek Isaković

Singer

Soprano

Aida Čorbadžić

Suzette

Mala Floramye

Mezzo-soprano

Željka Katavić Pilj

Šjora Petronila

Vedrana Arapović

Tonkica

Zdenka Vaniček

Gina Tipurić

Marica

Tenor

Ileš Bečei

Petar Petrović

Nedim Bašić

Zvone

Mirko

Siniša Markanović

Marinko

Majo Marilović

Šjor Dane

Dejan Kajević

Šjor File

Jasmin Bašić

Šjor Bepo

Josip Katavić

Redarstveni Organ

Dragan Pavlović

Šjor Felicijo-Picaferaj

Melisa Hajrulahović

Miss Eveline Beautyflower

Sestra-bolničarka

Direktorica

Emsad Bečić

Marquis Armand de Quimperville

Lejla Huseinćehajić

Almette

Davor Ebner

Amerikanski Mornar

Pianist

Aida Musanovic Arsic

Ana Petrović

Sestrica

Sarajevo National Theatre

Orchestra

Sarajevo Philharmonic Orchestra

Others

Hor Opere Narodnog Pozorišta Sarajevo

Mala Floramye -  (Little Floramye)

Sarajevo

Bosnia & Herzegovina

National Theatre

Public

Little Floramye

Approved

Ivo TijardovićMALA FLORAMYEpraizvedba: 14. 1. 1926. u Splitulibreto: Ivo Tijardovićopereta u tri činadirigent: Dario Vučićrežiser: Ivan Leo Lemo, k. g. Hrvat...

The beginning of 2022 in the opera program will be marked by one of the eternal stories  - Mala Floramye , the trademark of our dear and mentally close city of Split. This operetta title, in our hundred-year-old tradition, has already been performed on the stage of the National Theater in Sarajevo, and has always been warmly and excitingly received by the audience. I have no doubt that it will be the same on this occasion. Little Floramye  remains a lasting record of a time, with unforgettable characters and distinctive music that quickly "gets in the ear", about which much has been written. Our guest, the director from Split, Ivan Leo Lemo, will again, in a new reading, revive its Mediterranean color in harmony with the rhythms that testify to the end of one era and the arrival of another, for which we have a justified sentiment towards the eras we are leaving behind. This operetta, together with a melodramatic plot and a series of comic situations, builds an image of a changing city, a world that passes from the age of innocence, with the war to the age of consumerism, and an individual who cannot change and forever remains consistent with himself regardless of new circumstances. I am sure that our new production will be a tribute to a vanished time and spirit;

English

Početak 2022. godine u opernom programu obilježit će jedna od vječnih priča – Mala Floramye, zaštitni znak nama dragog i mentalitetno bliskog grada Splita. Ovaj operetski naslov, u našoj stogodišnjoj tradiciji već postavljan na pozornici Narodnog pozorišta Sarajevo, uvijek je imao srdačan i uzbudljiv prijem kod publike. Ne sumnjam da će tako biti i ovom prilikom. Mala Floramye ostaje kao trajni zapis jednog vremena, s nezaboravnim likovima i osebujnom muzikom koja brzo „ulazi u uho“, o čemu se mnogo pisalo. Naš gost, redatelj iz Splita, Ivan Leo Lemo će opet, u novom čitanju, oživjeti njen mediteranski kolorit u srazu s ritmovima koji svjedoče o kraju jednog i dolasku drugog vremena radi kojeg imamo opravdan sentiment prema epohama koje ostavljamo iza sebe. Ova opereta, zajedno s melodramskim zapletom i nizom komičnih situacija, gradi sliku grada koji se mijenja, svijeta koji iz doba nevinosti, s ratom prelazi u doba konzumerizma i pojedinca koji se ne može promijeniti pa zauvijek ostaje dosljedan sebi bez obzira na novonastale okolnosti. Siguran sam da će naša nova produkcija biti posveta jednom iščezlom vremenu i duhu; u njoj ćemo refleksivno otkriti savremeno traganje za ljubavlju i idealom poštovanja naših različitosti u buci vremena kada se karnevalski slavi anakronost kroz tiraniju politike i konzumerizma.

bosanski

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