Name: Manacorda, Ferlesch, Schade, Singakademie Mendelssohn Bartholdy, Schumann, Brahms
Start: 2018-04-29T00:00:00.000Z
End: 2018-04-29T00:00:00.000Z
Location: Wiener Konzerthaus

Admin

Vienna Symphony Orchestra

Wiener Konzerthaus

Conductor

Antonello Manacorda

Orchestra

Chorus master

Heinz Ferlesch

Singer

Tenor

Michael Schade

Others

Wiener Singakademie

Manacorda, Ferlesch, Schade, Singakademie / Mendelssohn Bartholdy, Schumann, Brahms

Vienna

Austria

Großer Saal

Public

Concert

The Hebrides, op. 26

Symphony No. 1 in B-flat Major, op. 38

Rinaldo, op. 50 IJB 104

Teja Boyidi

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Baritone

Countertenor

Bass

Bass-baritone

Soprano

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Keines der ihm vorgelegten Textbücher soll dem Meister genehm gewesen sein, daher findet sich in Johannes Brahms reichem Oeuvre nicht eine einzige Oper. Den Spekulanten bleibt es überlassen zu mutmaßen, wie sie wohl geklungen hätte. Erahnen lässt sich die potentielle Wucht einer solchen Komposition allerdings in seiner Kantate Rinaldo. Unter Antonello Manacorda machen die Symphoniker mit Michael Schade und der Wiener Singakademie eine rare Kostbarkeit wieder zugänglich. „Alle meine Werke gäbe ich darum, wenn ich eine Ouvertüre wie die Hebriden von Mendelssohn hätte schreiben können.“, soll Brahms bewundernd gesagt haben. Mendelssohn gilt als Begründer der programmatischen Konzertouvertüre. Die Hebriden sind, nach Ein Sommernachtstraum, seine zweite derartige Komposition.

Deutsch

It is said that not one of the librettos submitted to Johannes Brahms was deemed to be acceptable by the composer; thus not a single opera is to be found within the composer's rich oeuvre, and one can only speculate as to how a Brahms opera might have sounded. The potential power of such a composition can, however, be imagined in his cantata Rinaldo. With Michael Schade, the Wiener Singakademie and conductor Antonello Manacorda, the Vienna Symphony allows this rare treasure to be heard once again. "I would sacrifice all my compositions if I could have written such an overture as Mendelssohn's Hebrides," Brahms is said to have remarked admiringly of the piece. Mendelssohn is considered the founder of the programatic concert overture; the Hebrides is his second such work, after his overture to A Midsummer Night's Dream.

English

Manacorda, Ferlesch, Schade, Singakademie / Mendelssohn Bartholdy, Schumann, Brahms by Mendelssohn, Schumann, Brahms, Frá (2018/2018), Hljómsveitarstjóri Antonello Manacorda, Wiener Konzerthaus, Vienna, Austria

Frammistaða áskriftir (Leikarar & starfslið )

Hljómsveit

Dagskrá, Um & Yfirlit

Frekari lestur

Sýningardagsetningar og sýningarstaðir

Staðir