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National Theatre Prague

Diretor de Palco

Diretor de Palco (+1)

Sláva Daubnerová

Cenógrafo

Juraj Kuchárek

Estilista

Tereza Kopecká

Designer de Iluminação

Designer de Iluminação (+2)

Daniel Tesař

Dramaturgo

Jitka Slavíková

Orchestra

Ópera Checa de Praga

Coreógrafo

Coreógrafo (+2)

Jan Adam

Státní Opera Praha (The State Opera)

Soprano (+1)

Ghiulnara Raileanu

Manon Lescaut

Petra Šimková Alvarez

Barítono (+3)

Lukáš Bařák

Lescaut

Csaba Kotlár

Tenor

Peter Berger

O Cavalheiro des Grieux

Tenor (+1)

Milen Bozhkov

Baixo (+3)

Jiří Sulženko

Geronte de Ravoir

Baixo-barítono (+3)

František Zahradníček

Tenor (+2)

Martin Šrejma

Edmondo

Tenor (+4)

Daniel Matoušek

Ivo Hrachovec

Sargento da Artilharia Real

Roman Vocel

Um hoteleiro

Josef Moravec

Um acendedor de lampiões

Vít Šantora

Um professor de Dança

Mezzo-soprano (+4)

Michaela Zajmi

Um cantor

Mezzo-soprano (+3)

Kateřina Jalovcová

Chorus

State Opera Chorus

Ballet

National Theatre Narodni Opera Ballet

Mestre de Coro

Adolf Melichar

Repetidor

Pianista (+3)

Silvia Magagni

Assistente De Maestro

Maestro (+1)

Maria Fuller

Mestre de Coro (+1)

Anna Novotná-Pešková

Zuzana Kadlčíková

Assistente De Diretor De Palco

Marie Anna Valíčková

Maestro

Maestro (+3)

Simone Di Felice

Baixo (+2)

Oleg Korotkov

O Comandante do Navio

A life with the wealthy Geronte would offer the pretty Manon luxury, yet it would be devoid of passion. And great passion is what Manon enjoys with the poverty-stricken Chevalier Renato des Grieux. She must make a choice. Failing to do so is fateful for her …

The 1893 opera Manon Lescaut was Giacomo Puccini’s first triumph. Abounding in splendid melodies, the music renders intense emotions, from fervid love in the duet between Des Grieux and Manon in Act 2 to crushing despair of the lonesome Manon in the aria “Sola, perduta, abbandonata”.

The libretto is based on Abbé Prévost’s novel Histoire du Chevalier des Grieux, et de Manon Lescaut, issued in 1731 in Paris. Puccini was mesmerised by the book, yet his publisher, Ricordi, tried to dissuade him from setting it, pointing out that the story had already been adapted as an opera, Jules Massenet’s wildly popular Manon. Puccini, however, stuck to his guns, reasoning that “a woman like Manon can have more than one lover”.

Despite its difficult gestation (the text was patched together by five librettists), he created an opera whose premiere, on 1 February 1893 in Turin, enraptured the audience and critics alike. Puccini’s Manon Lescaut received its first performance in Bohemia on 24 April 1894 at the National Theatre in Prague. The Neues deutsches Theater (today’s State Opera) followed suit on 1 November 1923, with the production conducted by Alexander Zemlinsky, who at the time served as director of its opera company.

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