Name: Marató Revolucions: Trio Fortuny Trío Fantasma De Beethoven
Start: 2023-12-16T00:00:00.000Z
End: 2023-12-16T00:00:00.000Z
Location: L'Auditori

Organization

Admin

L'Auditori

Instrumentalist

Joel Bardolet

Violin

Pau Codina

Cello

Marc Heredia

Piano

Others

Trio Fortuny

Marató Revolucions: Trio Fortuny Trío Fantasma De Beethoven

Barcelona

Spain

Sala 2 Oriol Martorell

Marató Revolucions: Trio Fortuny Trío Fantasma De Beethoven: Piano Trio in A minor, op. 150 Beach, A. (+1 More)

Public

Private

Piano Trio in A minor, op. 150

Piano Trio in D Major, op. 70, No. 1

Cristian Damir Martinez Vega

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

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Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

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Tenor

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Bass-baritone

Countertenor

Bass

Baritone

Mezzo-soprano

Contralto

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

REPERTORIO
Amy Beach: Trío con piano en la m, op. 150 (1938) 15′
Ludwig van Beethoven: Trío con piano en Re “Fantasma”, op. 70 n.º 1 (1808) 30′

ARTISTAS
Joel Bardolet, violín
Pau Codina, violonchelo
Marc Heredia, piano

PROGRAMA
Amy Beach (1867-1944) fue una compositora estadounidense obligada a abrirse camino y a romper muchos tabúes y esquemas sociales para hacerse un hueco en el panorama musical norteamericano, profundamente arraigado en parámetros conservadores. Su catálogo compositivo incluye más de ciento setenta obras, entre música de cámara para diversos instrumentos, vocal y sinfónica. Admiradora de Beethoven y de su Trío con piano en Re, “Fantasma”, el concierto del Trío Fortuny contrapone Beach al gigantesco músico alemán a través de otro trío que Beach escribió en 1938 en una etapa de plena madurez. El sobrenombre del cuarteto beethoveniano alude a la posibilidad de que el material empleado se hubiera destinado previamente a una posible obertura para unas funciones de la tragedia Macbeth de Shakespeare.

español

REPERTORI
Amy Beach: Trio amb piano en la m, op. 150 (1938) 15′
Ludwig van Beethoven: Trio amb piano en Re “Fantasma”, op. 70 n. 1 (1808) 30′

ARTISTES
Joel Bardolet, violí
Pau Codina, violoncel
Marc Heredia, piano

PROGRAMA
Amy Beach (1867-1944) va ser una compositora estatunidenca obligada a obrir-se camí i a trencar molts tabús i esquemes socials per fer-se un lloc en el panorama musical nord-americà, profundament arrelat en paràmetres conservadors. El seu catàleg compositiu inclou més de cent setanta obres, entre música de cambra per a diversos instruments, vocal i simfònica. Admiradora de Beethoven i del seu Trio amb piano en Re, “Fantasma”, el concert del Trio Fortuny contraposa Beach al gegantí músic alemany a través d’un  altre trio que Beach va escriure el 1938 en una etapa de plena maduresa. El sobrenom del quartet beethovenià al·ludeix a la possibilitat que el material emprat s’hagués destinat prèviament a una possible obertura per a unes funcions de la tragèdia Macbeth de Shakespeare.

català

REPERTOIRE
Amy Beach: Piano Trio in A minor, Op. 150 (1938) 15′
Ludwig van Beethoven: Piano Trio in D major “Ghost”, Op. 70 No. 1 (1808) 30′

ARTISTS
Joel Bardolet, violin
Pau Codina, cello
Marc Heredia, piano

PROGRAMME
American composer Amy Beach (1867–1944) had to break countless taboos and social conventions in order to carve out a place for herself in the deeply conservative US music scene. Her catalogue of compositions includes more than 170 works, including chamber music for various instruments, vocal and symphonic music. She was an admirer of Beethoven and his “Ghost” Piano Trio in D Major, and this concert by the Fortuny Trio contrasts Beach’s work with that of the German musical giant with a performance of another trio that Beach wrote as a fully mature composer in 1938. The Beethoven trio’s epithet alludes to the possibility that the material was previously intended for an overture to a performance of Shakespeare’s Macbeth.

English

Marató Revolucions: Trio Fortuny Trío Fantasma De Beethoven by Beach, A., Beethoven, Noiztik (2023/2023), L'Auditori, Barcelona, Spain

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