Admin

L'Auditori

Conductor

Rafael Agulló

Orchestra

Banda Municipal de Barcelona

Marching With The Band

Martorell

Spain

Public

Concert

Suite for Variety Stage Orchestra

Tannhäuser

Marche funèbre d'une marionnette, CG 583

Marche Slave

Aida

Lyric Suite

Pomp and Circumstance Marches

When The Saints Go Marching In

Samabedona Majumder

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Baritone

Singer

Countertenor

Bass-baritone

Soprano

Mezzo-soprano

Tenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Marching music, generally two beats to a bar, is among the most popular and rousing rhythms. The march that opens the Suite for Variety Orchestra composed by Dmitri Shostakovich in 1956 is a fantastically festive example in a genre that can also be solemn, like the march Wagner composed for Tannhäuser, and even funereal, like Charles Gounod’s Marche funèbre d’une marionnette (Funeral March of a Marionette).

Marches such as Tchaikovsky’s Marche Slave have a magical ability to connect individuals and peoples. Meanwhile, grandiloquent or memorable marches like the triumphal march from the opera Aida, the “March of the Dwarfs” from Grieg’s Lyric Suite or the march composed by Elgar for Pomp and Circumstance have become part of the popular imaginary. The concert will conclude with When the Saints Go Marching In, a jazz perennial that will always be associated with Louis Armstrong.

English

La cadencia de la marcha, generalmente binaria, es una de las más populares y estimulantes. La que inaugura la Suite para orquesta de variedades que Dmitri Shostakóvich compuso en 1956 es un ejemplo sensacional del talante festivo de un género que también puede adquirir aires solemnes, como en la marcha que Wagner compuso para Tannhäuser, e incluso fúnebres, como la Marche funèbre d’une marionnette (Marcha Fúnebre para una marioneta) de Charles Gounod.

La marcha posee la cualidad mágica de conectar personas y pueblos, como sucede con la Marcha eslava de Chaikovski. No cabe duda de que en el imaginario popular han quedado grabadas melodías tan grandilocuentes o memorables como la marcha triunfal de la ópera Aída, la “Marcha de los enanos” de la Suite lírica de Grieg o la compuesta por Elgar en Pompa y circunstancia. La conclusión del concierto se celebrará con When the Saints Go Marching In de Louis Armstrong, que ha dado pie a un sinfín de variaciones jazzísticas[A11] .

español

La cadència de la marxa, generalment binària, és una de les més populars i engrescadores. La que inaugura la Suite per a orquestra de varietats que Dmitri Xostakóvitx va compondre el 1956 és un exemple sensacional del tarannà festiu d’un gènere que també pot adquirir aires solemnes, com a la marxa que Wagner compongué per a Tannhäuser, i fins i tot fúnebres, com la de Charles Gounod “per a una marioneta”.

La marxa posseeix la qualitat màgica de connectar persones i pobles, aquest és el cas de la Marxa eslava de Piotr I. Txaikovski. Certament, a l’imaginari popular queden instal·lades melodies tan grandiloqüents o memorables com la marxa triomfal de l’òpera Aïda, la marxa “dels nans” de la Suite lírica de Grieg o la composta per Elgar a Pompa i circumstància. Donant peu a una infinitat de variacions jazzístiques, la conclusió del concert se celebrarà amb When the Saints Go Marching In de Louis Armstrong.

català

Marching With The Band by Shostakovich, Wagner, Richard, Gounod, Tchaikovsky, P. I., Verdi, Grieg, Elgar, Armstrong, Louis, Frá (2024/2024), Hljómsveitarstjóri Rafael Agulló

Frammistaða áskriftir (Leikarar & starfslið )

Hljómsveit

Dagskrá, Um & Yfirlit

Ljósmyndir

Frekari lestur

Sýningardagsetningar og sýningarstaðir

Staðir