Name: Matthäus Passion, BWV 244
Start: 2020-11-01T00:00:00.000Z
End: 2020-11-01T00:00:00.000Z
Location: Schlosspark

Organization

Maestro

Hans-Christoph Rademann

Cantor

Baixo

Peter Harvey

Jesus

Krešimir Stražanac

Pilatus

Tenor

Patrick Grahl

Evangelist

Florian Schmidt-Gahlen

Judas

Andrey Akhmetov

Petrus

Soprano

Lore Agusti Garmendia

Ancillae

Contralto

Marie Henriette Reinhold

Alto

Tobias Ay

Pontifex I & II

Philipp Goldmann

Jonathan Mayenschein

Testis I & II

Christoph Pfaller

Mirjam Striegel

Others

Gächinger Kantorei

Bachakademie Stuttgart

Matthäus Passion, BWV 244 -  (Paixão segundo São Mateus)

Ludwigsburgo

Alemanha

Schlosspark

Matthäus-Passion

Public

Paixão segundo São Mateus

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Diretor de Palco

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baixo-barítono

Contratenor

Barítono

Mezzo-soprano

Continuo

Silent

Spoken

Vocalista Infantil

In 1954, Helmuth Rilling created the Gaechinger Cantorey, vocal and instrumental ensembles dedicated to the interpretation of the music of Johann Sebastian, especially after the founding of the Bach-Collegium Stuttgart and, even more so, that of the Internationale Bachakademie Stuttgart, in 1981. , under whose tutelage the Gaechingers remained. Since 2016, the director of these formations is Hans-Christoph Rademann, who has given them a 180 degree turn. Gone, far behind, are those anodyne and insubstantial six decades of Rilling, because it did not take Rademann much time to turn the Gaechinger into a benchmark for the music of the Kantor . This is attested by the recordings that have appeared in the last five years: the Christmas Oratorio , the fourth version of thePassion according to San Juan and a couple of cantata records.

Now it is the turn of one of the greatest works in history: the Saint Matthew Passion , recorded during the month of November 2020 (the truth is that they have been in a hurry to edit and publish it). Rademann employs two independent choirs with thirteen singers each (4/3/3/3), and two large orchestras with an equal number of instrumentalists. As concertmasters of each orchestra are Nadja Zwiener (leader of The English Concert) and the emerging Jonas Zschenderlein (4 Times Baroque, as well as other newly minted formations).

Don't look for flashy names in the vocal cast, except for veteran British bass Peter Harvey (Voice of Christ) and Croatian bass Kresimir Strazanac (arias and Pilatos), a regular contributor to the Collegium Vocale Gent and the Collegium 1704. The singers, up to a total of fifteen, they are the choristers themselves (following the Bachian tradition), with the tenor Patrick Grahl as Evangelista, the bass Florian Schmitt as Judas and the bass Andrey Akhmekov as Pedro. The Spanish soprano Lore Agustí assumes the role of Second servant.

The soprano Schicketanz and, above all, the mezzo-soprano Marie Henriette Reinhold are really splendid. Reinhold already surprises with her first intervention, the aria Buss und Reu , which she sings with absolute and moving delicacy, and reaches something close to nirvana in Erbarme dich and, above all, in Können Tränen meiner Wangen . Schicketanz confidently addresses all of her interventions and shows her beautiful voice in Ich will dir mein Herze schenken . Tenor Benedikt Kristjánsson sweetly sings the aria – with choir accompaniment – ​​Ich will bei meinen Jesu wachen . Splendid Strazanac in Gebt mir meinen Jesum wieder and in the aria with obligatory viola da gambaKomm, süsses Kreuz , but above all in the imploring Mache dich, mein Herze, rein.

Orchestra and choir, under the precise direction of Rademann (let's not forget: one of the great world experts in the music of the Kantor ), offer very high performance. We are, in short, before a round Passion according to Saint Matthew.

English

Paixão segundo São Mateus by Bach, J. S., De (2020/2020), Regente Hans-Christoph Rademann, Schlosspark, Ludwigsburgo, Alemanha

Créditos do espetáculo (Elenco & Equipe )

Elenco

Conjunto

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos