Organization

Arena di Verona Opera Festival

Orchestra

Orchestra dell'Arena di Verona

Arena di Verona

Fondazione Arena di Verona

Режиссер-постановщик

Режиссер-постановщик (+6)

Stefano Poda

Художник-постановщик

Художник по костюмам

Художник по свету

Хореограф

Дирижер

Pinchas Steinberg

Chorus

Coro della Fondazione Arena di Verona

Хормейстер

Дирижер (+1)

Roberto Gabbiani

Бас (+3)

Gabriele Sagona

Верховный жрец

Paolo Giani Cei

Художник-постановщик (+3)

Michele G Olcese

Тенор (+1)

Galeano Salas

Измаил

Баритон

Amartuvshin Enkhbat

Набукко

Тенор (+2)

Carlo Bosi

Абдалло

Matteo Macchioni

Сопрано

Daniela Cappiello

Анна

Тенор

Francesco Meli

Alexander Vinogradov

Захария

Бас-баритон (+3)

Christian Van Horn

Сопрано (+1)

Olga Maslova

Абигайль

Меццо-сопрано (+2)

Francesca Di Sauro

Фенена

Баритон (+2)

Luca Salsi

Бас (+2)

Roberto Tagliavini

Anna Pirozzi

Сопрано (+5)

Anna Netrebko

Меццо-сопрано (+3)

Anna Werle

Aigul Akhmetshina

Elisabetta Zizzo

Баритон (+1)

Youngjun Park

Maria José Siri

Сопрано (+4)

Vasilisa Berzhanskaya

Elena Borin

Igor Golovatenko

Бас (+1)

Simon Lim

«Va, pensiero, sull'ali dorate» (Fly, my thoughts, on wings of gold) will be heard again among the thousand-year-old stones of the Arena, in a new production of Giuseppe Verdi's first masterpiece by Stefano Poda opening the 102 Arena di Verona Opera Festival with a double date.

 

‘Two opposites attract and repel each other throughout the stage, until they reach a point of maximum repulsion and splitting, and then arrive at the synthesis of the Finale in which the two opposites are brought together again. The metaphor is that of the bonds between atomic particles: matter originates from their union, but Humanity has discovered how to separate them, causing total destruction. Technological progress makes everything possible - and Nabucco does not hesitate to use his material superiority against the defeated, even to the point of dramatic consequences: the lesson of this masterpiece is that rationality, to be well intentioned, cannot disregard spirituality.’  Stefano Poda

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