Admin

Direction d'orchestre

Hermann Bäumer

Mise en scène

Mise en scène (+7)

Tomáš Ondřej Pilař

Décors

Décors (+1)

Petr Vítek

Costumes

Costumes (+1)

Dana Haklová

Chorégraphie

Martin Šinták

Lumières

Lumières (+2)

Daniel Tesař

Chef de chœur

Adolf Melichar

Marek Valášek

Dramaturge

Jitka Slavíková

National Theatre Prague

Státní Opera Praha (The State Opera)

Baryton (+1)

Nikoloz Lagvilava

Nabucco

Baryton (+3)

Stepan Drobit

Soprano

Lilla Lee

Abigaïlle

Soprano (+2)

Oksana Nosatova

Basse (+2)

Ivo Stánchev

Zacarria

Basse (+1)

Iurie Maimescu

Mezzo-soprano (+8)

Markéta Cukrová

Fenena

Contralto (+4)

Stanislava Jirků

Ténor (+1)

Maksym Vorochek

Ismaël

Ténor (+2)

Josef Moravec

Basse (+3)

Jan Hnyk

Le Grand prêtre de Belos à Babylone

Baryton-basse (+3)

Miloš Horák

Vít Šantora

Abdallo

Michael Skalický

Michal Bragagnolo

Veronika Kaiserová

Anna

Eliška Gattringerová

Vojtěch Fülep

Actor

Acteur

Michal Soukup

David Králík

Vojtěch Svoboda

Slovak National Theatre

Ténor

Richard Samek

Orchestra

State Opera Orchestra

Chorus

State Opera Chorus

Ballet

National Theatre Opera Ballet Prague

Žáci Baletní školy Olgy Kyndlové

The opera Nabucco, depicting the dramatic story of the subjugation of the Israelites by the King of Babylon, ranks among Guiseppe Verdi’s most celebrated works. Phenomenal chorus scenes, extremely impassioned virtuoso arias, as well as the perennially topical themes of expansive war, lust for power, betrayal, life and death, are the reasons why it has always been a staple of opera houses’ repertoire.

The title hero is based on the historical figure of King Nebuchadnezzar II. The opera starts with a true event, the destruction of the Temple of Solomon in 587 BC. Yet the following conversion of Nabucco (Nebuchadnezzar) to Judaism and the setting the Hebrews free from captivity in Babylon are the librettist’s fictional creations, as are the complicated relationships within the royal family, and the strife between Nabucco’s two stepdaughters, striving to win the love of the same man and gain the throne. Loosely blending true historical facts, a biblical legend and imagination, the libretto made it possible for Verdi to bring to bear fully for the first time his immense musical virtues. The colossal triumph of Nabucco, his third opera, at the world premiere at La Scala in Milan in 1842 opened for the 28-year-old composer the path to fame. The opera’s best-known number, the chorus “Va, pensiero, sull‘ali dorate” (“Fly, thought, on wings of gold”), expresses the Hebrew exiles’ hope for freedom.

In Verdi’s time, however, it became a symbol of the Italian patriots’ resistance to Austrian supremacy, an unofficial anthem of the endeavour for a unified Italy free from foreign control; and the chorus has retained its political meaning up to the present day. Just as Verdi’s librettist drew inspiration from the Bible, particularly Psalm 137, biblical symbolism is foregrounded by the stage director Tomáš Ondřej Pilař in his conception of Nabucco’s new State Opera production.

Nabucco, Verdi

Distribution

Nabucco

Abigaille

Zaccaria

Fenena

Ismaele

Il Gran Sacerdote di Belo

Abdallo

Anna

Actor

Équipage

Mise en scène

Direction d'orchestre

Décors

Costumes

Chef de chœur

Lumières

Chorégraphie

Dramaturge

Instrumentation

Producteur

Producteur

Ensemble

Orchestre

Chœur

Groupe de ballet ou de danse

Coproducteur

Coproducteur

Vidéos liées

Photos

À propos de

Compositeur

Livret

Description

Synopsis de la Production