Organization

Dramaturge

Arne Beeker

Mise en scène

Mise en scène (+2)

Matthias Davids

Chorégraphie

Chorégraphie (+1)

Kim Duddy

Décors

Décors (+2)

Andrew D Edwards

Costumes

Lumières

Lumières (+1)

Michael Grundner

Soprano (+1)

Hanna Kastner

Natasha Rostova

Acteur (+5)

Christian Fröhlich

Pierre Bezukhov

Ténor (+2)

Gernot Romic

Anatole Kuragin

Soprano (+2)

Sanne Mieloo

Marya Dmitriyevna

Mezzo-soprano (+3)

Daniela Dett

Hélène Bezukhova

Lukas Sandmann

Fedya Dolokhov

Baryton (+2)

Karsten Kenzel

Balaga

Baryton-basse (+1)

Joel Parnis

Andrey Bolkonsky

Landestheater Linz Musiktheater

Musiktheater

Direction d'orchestre

Direction d'orchestre (+1)

Tom Bitterlich

Lisa Antoni

Sonya Rostova

Judith Jandl

Juheon Han

Anyone who thinks that successful musicals can't be innovative doesn't know Natascha, Pierre and the great comet of 1812 ! In 2017, Dave Malloy's Electropop Opera, based on Tolstoy's War and Peace, took Broadway by storm. The huge Imperial Theater was completely remodeled for the show, so the audience found themselves right in the middle of the ensemble making music and the orchestra playing. The material, set around 1810, is told irreverently and with virtuosity and brought to the stage with such irresistible energy that Tolstoy's classic was soon out of print in New York.

Young and impulsive Natasha comes to Moscow to await the return of her fiancé from the front. When she falls under the spell of the unscrupulous seducer Anatol, it's up to Pierre, a family friend, to pick up the pieces of her reputation. And this despite the fact that Pierre himself is in an existential crisis.

Bold, fearless, not afraid of any genre boundaries: Malloy's Rachmaninoff musical Préludes was sold out in Linz to the roof, now with Komet his greatest success follows for the first time in Europe.

allemand