Name: NDR Elbphilharmonie Orchestra Thomas Hengelbrock
Start: 2017-10-08T00:00:00.000Z
End: 2017-10-08T00:00:00.000Z
Location: Elbphilharmonie

Admin

Elbphilharmonie & Laeiszhalle Hamburg

Orchestra

NDR Sinfonieorchester

Others

Balthasar Neumann Choir and Ensemble

Conductor

Thomas Hengelbrock

Singer

Soprano

Anna Lucia Richter

Contralto

Wiebke Lehmkuhl

Alto

Tenor

Lothar Odinius

Bass

Tareq Nazmi

NDR Elbphilharmonie Orchestra / Thomas Hengelbrock

Hamburg

Germany

Elbphilharmonie

Grosser Saal

Public

Concert

Musique funèbre

Requiem

Simon Samuel

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass-baritone

Countertenor

Baritone

Child vocalist

Continuo

Silent

Spoken

Many myths have grown up around the Mozart Requiem. The commission brought by an anonymous messenger, the composer’s early death while he was still working on the score and the unfinished manuscript – all this is perfect thriller material. But Mozart’s most important sacred work really doesn’t need this kind of publicity: the music alone expresses a consummate vision.

The sad beauty of the »Introitus«, the wild terror of the »Dies irae«, the trombone solo in the »Tuba mirum«, the almost obsessive figures in the strings in the »Confutatis« – there are many passages where Mozart was way ahead of his time. Together with the Balthasar-Neumann-Chor and a select group of soloists, Thomas Hengelbrock and the NDR Elbphilharmonie Orchestra perform Mozart’s opus ultimum at the Elbphilharmonie for the first time.

The concerts open with another impressive piece of funeral music, written by Polish composer Witold Lutosławski in 1955 to mark the tenth anniversary of the death of Béla Bartók.

English

Um Mozarts Requiem ranken sich viele Mythen: Der Auftrag durch einen anonymen »Grauen Boten«, der frühe Tod des Komponisten mitten in der Arbeit an der Totenmesse und das unvollendet abbrechende Manuskript geben den perfekten Stoff für einen Krimi ab. Dabei hat Mozarts bedeutendste Kirchenmusik-Komposition werbeträchtige Legenden um ihre Entstehung eigentlich gar nicht nötig, so vollendet und visionär ist allein die Musik.

Die traurige Schönheit des »Introitus«, der wilde Schrecken des »Dies irae«, das Posaunensolo im »Tuba mirum«, die geradezu besessenen Streicherfiguren im »Confutatis« – auf etlichen Partiturseiten war Mozart seiner Zeit weit voraus. Zusammen mit dem Balthasar-Neumann-Chor und einer erlesenen Solisten-Riege bringen Thomas Hengelbrock und das NDR Elbphilharmonie Orchester Mozarts Opus ultimum nun erstmals in die Elbphilharmonie.

Eröffnet werden die Konzerte mit einer weiteren eindrucksvollen Trauermusik, die der polnische Komponist Witold Lutosławski anlässlich des 10. Todestages von Béla Bartók im Jahr 1955 komponierte.

Deutsch

NDR Elbphilharmonie Orchestra / Thomas Hengelbrock by Lutosławski, Mozart, от (2017/2017), диригент Thomas Hengelbrock, Elbphilharmonie, Hamburg, Germany

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