Name: Orchestre de chambre de Paris
Start: 2023-10-12T00:00:00.000Z
End: 2023-10-12T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Conductor

Maxim Emelyanychev

Instrumentalist

Aylen Pritchin

Violin

Théâtre des Champs-Elysées

Others

Orchestre de Chambre de Paris

Orchestre de chambre de Paris

Paris

France

Orchestre de chambre de Paris Maxim Emelyanychev, Aylen Pritchin: Märchen von der schönen Melusine, op.32 Mendelssohn (+2 More)

Public

The Fair Melusine, op. 32

Violin Concerto No. 3, op. 61

Symphony No. 5 in D major/D minor

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Bass-baritone

Tenor

Contralto

Bass

Soprano

Baritone

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Orchestre de chambre de Paris: Märchen von der schönen Melusine, op.32 Mendelssohn (+2 More)

Mendelssohn et Saint-Saëns possèdent bien des points communs : chefs d’orchestre et pianistes virtuoses, ils incarnent l’esthétique musicale de leurs pays respectifs sans pour autant oublier de regarder de l’autre côté du Rhin. Dans sa Symphonie n° 5, composée en 1830 pour le tricentenaire de la Confession de foi d’Augsbourg, Mendelssohn cite le célèbre cantique de Luther Ein’ feste Burg ist unser Gott et affirme sa foi protestante. Trois ans après, c’est en revanche une légende poitevine qui lui inspire le climat féerique de son ouverture symphonique La Belle Mélusine. Quant au Concerto pour violon n° 3 de Saint-Saëns (1880), si sa clarté typiquement française est teintée de quelques accents hispanisants (référence au violoniste Pablo de Sarasate, son premier interprète), il a été créé à Hambourg, la ville natale de Mendelssohn.

français

Mendelssohn and Saint-Saëns have many points in common: conductors and virtuoso pianists, they embody the musical aesthetics of their respective countries without forgetting to look at the other side of the Rhine. In his Symphony No. 5, composed in 1830 for the tercentenary of the Augsburg Confession of Faith, Mendelssohn quotes Luther's famous canticle Ein' feste Burg ist unser Gott and affirms his Protestant faith. Three years later, on the other hand, it is a Poitevin legend that inspires him with the magical atmosphere of his symphonic overture La Belle Mélusine.As for Saint-Saëns' Violin Concerto No. 3 (1880), although its typically French clarity is tinged with a few Hispanic accents (a reference to the violinist Pablo de Sarasate, his first interpreter), it was premiered in Hamburg, the city of his birth. by Mendelssohn.

English

Orchestre de chambre de Paris by Mendelssohn, Saint-Saëns, Frá (2023/2023), Hljómsveitarstjóri Maxim Emelyanychev, Théâtre des Champs-Elysées, Paris, France

Frammistaða áskriftir (Leikarar & starfslið )

Hljómsveit

Meðframleiðandi

Dagskrá, Um & Yfirlit

Ljósmyndir

Frekari lestur

Sýningardagsetningar og sýningarstaðir

Staðir