Name: Orchestre de Paris Xu Zhong
Start: 2023-03-29T00:00:00.000Z
End: 2023-03-30T00:00:00.000Z
Location: Philharmonie de Paris

Organization

Conductor

Xǔ Zhōng

Pianist

Nathalia Milstein

Piano II

Jieni Wan

Piano I

Orchestra

Orchestre de Paris

Cité de la Musique-Philharmonie

Orchestre de Paris / Xu Zhong

Paris

France

Philharmonie de Paris

Grande Salle Pierre Boulez

Orchestre de Paris / Xu Zhong: Les cinq elements (+2 More)

Public

The Five Elements

Concerto for two pianos No. 10 in E-flat Major, K. 365

Symphony No. 9 in E Minor, op. 95 B. 178

Approved

Bass

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Soprano

Singer

Countertenor

Mezzo-soprano

Bass-baritone

Contralto

Tenor

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

C’est avec une grande tristesse que nous avons appris la disparition de Nicholas Angelich, décédé le 18 avril 2022 des suites d’une longue maladie. Ces deux concerts sont maintenus, avec un programme modifié.

Les pianistes française et chinoise Nathalia Milstein et Jenny Wan se joignent au chef chinois Xu Zhong dans un programme embrassant trois continents en une soirée.

Dernier élève d’Olivier Messiaen, Qigang Chen a réussi avec Les Cinq Éléments la fusion des traditions européenne et chinoise. Inspirée du Yi King, (Livre de transformations, classique chinois qui établit une conception de l’univers qui imprègne encore la pensée chinoise), l’œuvre évoque successivement le métal, le bois, l’eau, le feu et la terre, comme autant de symboles sonores.

Concentré sur le dialogue des deux solistes, le Concerto n° 10 fut composé par Mozart dans l'intention de le jouer en duo avec sa sœur Nannerl. Les échanges de motifs et les accompagnements mutuels en façonnent l’élégance, Mozart ne se privant pas des découvertes faites lors de son séjour à Mannheim, et accordant une importance notable à ce troisième soliste qu'est l'orchestre.
 
Majestueuse, épique et populaire entre toutes, la Symphonie « Du Nouveau Monde » orchestre avec un brio inégalable la rencontre de l’Europe centrale avec le folklore américain. On rapporte que Dvořák, présent dans la salle lors de la création new-yorkaise de 1938, dut se lever à la fin de chaque mouvement pour "saluer comme un roi".

français

French and Chinese pianists Nathalia Milstein and Jenny Wan join conductor Xu Zhong in a program spanning three continents in one evening.

The last student of Olivier Messiaen, Qigang Chen succeeded with The Five Elements in merging European and Chinese traditions. Inspired by the Yi King ( Book of Transformations , a Chinese classic that establishes a conception of the universe that still permeates Chinese thought), the work successively evokes metal, wood, water, fire and earth, as so many sound symbols.

Focusing on the dialogue of the two soloists, Concerto No. 10 was composed by Mozart with the intention of playing it in duet with his sister Nannerl. The exchanges of motives and the mutual accompaniments shape its elegance, Mozart not depriving himself of the discoveries made during his stay in Mannheim, and granting a notable importance to this third soloist that is the orchestra.
 
Majestic, epic and popular among all, the “ New World ” Symphony orchestrates with unrivaled brilliance the encounter between Central Europe and American folklore. It is reported that Dvořák, present in the hall during the 1938 New York premiere, had to rise at the end of each movement to "salute like a king".

English

Orchestre de Paris / Xu Zhong by Chen, Q., Mozart, Dvořák, Frá (2023/2023), Hljómsveitarstjóri Xǔ Zhōng, Philharmonie de Paris, Paris, France

Frammistaða áskriftir (Leikarar & starfslið )

Hljómsveit

Dagskrá, Um & Yfirlit

Ljósmyndir

Frekari lestur

Sýningardagsetningar og sýningarstaðir

Staðir