Name: Orfeo ed Euridice
Start: 2012-05-09T00:00:00.000Z
End: 2012-05-13T00:00:00.000Z
Location: Grand Théâtre de Bordeaux

Organization

Conductor

Geoffroy Jourdain

Stage director

Dominique Pitoiset

Stephen Taylor

Costume designer

Axel Aust

Lighting designer

Christophe Pitoiset

Opéra National de Bordeaux

Others

Bordeaux National Opera Choir

Ensemble vocal et Orchestre du Conservatoire de Bordeaux Jacques-Thibaud

Orfeo ed Euridice -  (Orpheus and Eurydice)

Bordeaux

France

Grand-Théâtre

Grand Foyer

Public

Orpheus and Eurydice

Approved

Grand Théâtre de Bordeaux

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Mezzo-soprano

Bass-baritone

Contralto

Soprano

Tenor

Countertenor

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Berlioz).
Libretto by Pierre-Louis Moline after Raniero De' Calzabigi.
Created in Paris, at the Royal Academy of Music (Salle des Tuileries), on August 2, 1774; revised version by Hector Berlioz premiered in Paris, at the Théâtre Lyrique, on 19 November 1859.

Score praised by Berlioz, archetype of aesthetic contestation in the Italian "prima la musica", Orpheus and Eurydice testifies to a musical writing at the service of the drama, with a craftsman's care given to the vocal lines of both the soloists and choirs, without gratuitous effect, without ostentation, but with an intense depth, an infinite poetry. The young voices of
the Atelier Lyrique of the Opéra National de Paris will bring the heroes of Gluck's masterpiece to life
in a staging by Dominique Pitoiset.

English

Coréalisation de l’Atelier lyrique de l’Opéra National de Paris, MC93 Maison de la culture de la Seine-Saint-Denis présentée par le Tnba et l’Opéra National de Bordeaux Tragédie-opéra en 3 actes (révisée par Hector Berlioz).
Livret de Pierre-Louis Moline d’après Raniero De’ Calzabigi.
Créée à Paris, à l’Académie Royale de musique (Salle des Tuileries), le 2 août 1774 ; version révisée par Hector Berlioz créée à Paris, au Théâtre Lyrique, le 19 novembre 1859.

Partition louée par Berlioz, archétype de la contestation esthétique au « prima la musica » à l’italienne, Orphée et Eurydice témoigne d’une écriture musicale au service du drame, avec un soin  d’orfèvre apporté aux lignes de chant tant des solistes que des choeurs, sans effet gratuit, sans ostentation, mais avec une intense profondeur, une infinie poésie. Ce sont les jeunes voix de
l’Atelier Lyrique de l’Opéra National de Paris qui feront vivre les héros du chef-d’oeuvre de Gluck
dans une mise en scène de Dominique Pitoiset.

français

Orpheus and Eurydice by Gluck, Frá (2012/2012), Leikstýrt af Dominique Pitoiset, Stephen Taylor,, Hljómsveitarstjóri Geoffroy Jourdain, Grand Théâtre de Bordeaux, Bordeaux, France

Frammistaða áskriftir (Leikarar & starfslið )

Áhöfn

Hljómsveit

Dagskrá, Um & Yfirlit

Frekari lestur

Sýningardagsetningar og sýningarstaðir

Staðir