Name: Orfeo ed Euridice
Start: 2016-10-08T00:00:00.000Z
End: 2016-10-19T00:00:00.000Z
Location: Schiller Theater

Admin

Organization

Singer

Countertenor

Max Emanuel Cencic

Orfeo

Soprano

Elsa Dreisig

Euridice

Narine Yeghiyan

Amor

Conductor

Alessandro De Marchi

Stage director

Jürgen Flimm

Costume designer

Florence von Gerkan

Lighting designer

Olaf Freese

Chorus master

Martin Wright

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Staatsopernchor Berlin

ítalska

Orfeo ed Euridice -  (Orpheus and Eurydice)

Berlin

Germany

Schiller Theater

Gläsernes Foyer

Orfeo ed Euridice Gluck

Public

Orpheus and Eurydice

þýska

enska

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

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Violist

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Dramaturge

Executive producer

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Hairstylist

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Poet

Repetiteur

Set designer

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Stage Manager

Teacher

Translator

Video designer

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Wig & Makeup Designer

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Writing and performance

Bass

Bass-baritone

Mezzo-soprano

Contralto

Tenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

MUSIKALISCHE LEITUNG Daniel Barenboim
INSZENIERUNG Jürgen Flimm
BÜHNENBILD in Kooperation mit Gehry Partners, LLP
KOSTÜME Florence von Gerkan
CHOREOGRAPHIE Gail Skrela
LICHT Olaf Freese
CHOR Martin Wright

STAATSKAPELLE BERLIN
STAATSOPERNCHOR

ORFEO ED EURIDICE | Oper von Christoph Willibald Gluck | Staatsoper Berlin

Wie kaum eine andere Oper hat Christoph Willibald Glucks »Orfeo ed Euridice« den Entwicklungsgang des Genres beeinflusst: Das 1762 in Wien uraufgeführte Werk bündelte auf geradezu mustergültige Weise die zahlreichen Reformansätze seiner Zeit. Die traditionelle »Opera seria« wurde durch Glucks »Azione teatrale«, die den natürlichen, authentischen Ausdruck der Figuren in den Mittelpunkt stellt, herausgefordert und gewissermaßen überwunden.

Der Orpheus-Mythos, der die Form der Oper selbst begründete und bis heute zu den beliebtesten Stoffen des Musiktheaters zählt, hatte mit Gluck eine vollkommen neue Ausformung gefunden. Seine Verarbeitung der Geschichte von Orpheus, der die Götter der Unterwelt mit seinem Gesang betörte, um seine geliebte Eurydike ins Leben zurückholen, ist von einer bis dahin nicht gekannten dramatischen Wahrhaftigkeit und lässt das Publikum tiefen Anteil nehmen an der Gefühlswelt der Protagonisten.

Deutsch

Christoph Willibald Gluck's »Orfeo ed Euridice« influenced the development of the genre like hardly any other opera: the work, which premiered in Vienna in 1762, bundled the numerous reform attempts of its time in an almost exemplary way. The traditional »opera seria« was challenged and, to a certain extent, overcome by Gluck's »Azione teatrale«, which focuses on the natural, authentic expression of the characters.

The Orpheus myth, which founded the form of the opera itself and is still one of the most popular subjects of music theater, found a completely new form with Gluck. His treatment of the story of Orpheus, who beguiled the gods of the underworld with his singing in order to bring his beloved Eurydice back to life, is of a hitherto unknown dramatic truthfulness and allows the audience to take a deep interest in the emotional world of the protagonists.

English

Orpheus and Eurydice by Gluck, Frá (2016/2016), Leikstýrt af Jürgen Flimm,, Hljómsveitarstjóri Alessandro De Marchi, Schiller Theater, Berlin, Germany

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