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tööstuse spetsialistidele
Publikule
Etendused
Tomaž Sevšek
Orgelkonzert: Tomaž Sevšek
Jaga
Piletid
Bamberg Symphony
(2024)
08 detsember 2024
(1 etendused)
Külastage veebisaiti
Konzerthalle, Bamberg, Germany
Teave kunstiorganisatsioonilt (Operabase'i kinnitatud)
Orgelkonzert: Tomaž Sevšek by Bach, J. S., Vivaldi, Oliveira, J. P., Karg-Elert, Schumann, Guilmant, A., Alates (2024/2024), Konzerthalle, Bamberg, Germany
Etenduse krediiti
(Näitlejad ja meeskond )
Vaata kõiki
Valige Töö
Toccata, Adagio and Fugue in C major, BWV 564
,
Bach, J. S.
Tootja
Bamberg Symphony
Instrumentatsioon
Pipe Organ
TS
Tomaž Sevšek
Programm, teave ja kokkuvõte
Vaata kõiki
Programm
7
Orgelkonzert: Tomaž Sevšek
Toccata, Adagio and Fugue in C major, BWV 564
,
Bach, J. S.
Oratorio / Orchestral
Concert
Nun komm, der Heiden Heiland, BWV 659
,
Bach, J. S.
Oratorio / Orchestral
Concert
Concerto for Violin and Organ in C Major RV 808 (arr, Federico Sardelli)
,
Vivaldi
Concerto
Concert
Persistent Particles
,
Oliveira, J. P.
Oratorio / Orchestral
Concert
Choral-Improvisationen für Orgel, op. 65
,
Karg-Elert
Oratorio / Orchestral
Concert
6 Studien in kanonischer Form, op. 56
(6 Studies in Canon form, op. 56)
,
Schumann
Innig
Instrumental
Concert
Final alla Schumann, Op.83
,
Guilmant, A.
Solo
Concert
A whole range of stops will be pulled out once again: This time, an experienced and acclaimed organist will be our guest at the keys and pedals of our concert organ, much loved by the audience. Together with strings from the Bamberg Symphony, he will present several works that are wonderfully fitting for this Advent Sunday. The first part is dedicated to baroque music: after three touching solo pieces by Bach, a long-lost concerto for organ and violin by Vivaldi is performed – a particularly melody-laden example of his boundless artistry. In the second part, Tomaž Sevšek offers a foray into other musical realms – including a work composed in 1951 by his compatriot Primož Ramovš, whose numerous organ pieces have only rarely been performed in Germany to date. Portuguese composer João Pedro Oliveira is a versatile and award-winning composer: »Persistent Particles« from 2021 experiments with the tonal and technical possibilities of the organ in a fascinating manner. Schumann rented a pedal keyboard for his grand piano in 1845, which gave him and his wife Clara »much delight«. One of the results was the intimate study for pedal piano – in which Schumann expressed his spiritual and compositional affinity with Bach. The French composer Alexandre Guilmant expressed his fondness for the German Romantic composer in his atmospheric work »Final alla Schumann« in 1893.
Teave teabe kohta on saadaval aadressil: English, Deutsch
Fotod
1
Vaata kõiki
Lisalugemist
Lisateave helilooja kohta
Bach, J. S.
Vivaldi
Oliveira, J. P.
Karg-Elert
Schumann
Guilmant, A.
Lisateave muusikatöö kohta
Toccata, Adagio and Fugue in C major, BWV 564
,
Bach, J. S.
Nun komm, der Heiden Heiland, BWV 659
,
Bach, J. S.
Concerto for Violin and Organ in C Major RV 808 (arr, Federico Sardelli)
,
Vivaldi
Persistent Particles
,
Oliveira, J. P.
Choral-Improvisationen für Orgel, op. 65
,
Karg-Elert
6 Studien in kanonischer Form, op. 56
(6 Studies in Canon form, op. 56)
,
Schumann
Final alla Schumann, Op.83
,
Guilmant, A.
Esinemiskuupäevad ja -kohad
1
Vaata kõiki
Etenduspaigad
Bamberg, Germany
Konzerthalle | Bamberg, Germany
Joseph-Keilberth-Saal
2024
detsember
08
m