Organization

Sänger

Bariton

Peter Bording

Jupiter

Tenor

Max Hopp

Hans Styx

Regie

Barrie Kosky

Dirigat

Adrien Perruchon

Lichtgestaltung

Franck Evin

Kostümbild

Victoria Behr

Bühnenbild

Rufus Didwiszus

Choreographie

Otto Pichler

Dramaturgie

Susanna Goldberg

Chordirektion

Jean-Christophe Charron

Tansel Akzeybek

Orpheus

Peter Renz

Merkur

Mezzosopran

Nadine Weissmann

Amor

Bass

Tim Dietrich

Mars

Sopran

Karolina Gumos

Juno

Bryony Dwyer

Euridike

Susan Maclean

Die Öffentliche Meinung

Ivan Turšić

Aristaeus / Pluto

Mirka Wagner

Venus

Alma Sadé

Diana

Salzburger Festspiele

Deutsche Oper am Rhein

Komische Oper Berlin

Orchestra

Orchester der Komischen Oper Berlin

Mathias Vidal

Deutsch

Französisch

Orphée aux enfers -  (Orpheus in der Unterwelt)

Berlin

Deutschland

Orphée aux enfers Offenbach

Public

Orpheus in der Unterwelt

Genehmigt

Schamlos, witzig und frivol! In Barrie Koskys bei den Salzburger Festspielen 2019 frenetisch gefeierter Inszenierung – der ersten Offenbach-Operette der fast...

Orphée aux enfers Offenbach - Komische Oper Berlin

Shameless, funny and frivolous! In Barrie Kosky's production, which was frenetically celebrated at the 2019 Salzburg Festival - the first Offenbach operetta in the almost 100-year history of the festival - a plump mythical travesty meets a top-class ensemble that loves to play. Led by the inimitable Max Hopp as John Styx, who lends every figure on stage his speaking voice, Sydney Mancasola as Eurydice, Wolfgang Ablinger-Sperrhacke as Pluto and Peter Bording as Jupiter descend into a brightly colored, boyish, infernal underworld

Offenbach's initial situation is "slightly" different from the myth: Eurydice, the central figure, hates the music personified by her husband. And Orpheus himself is nothing more than a small, insipid music teacher from Thebes; Aristaeus, the divine seducer, is an acting honey dealer, and Jupiter, the "father of the gods", a horny goat, is constantly on the prowl. Shrouded in mystery, John Styx tells the story of entangled Orpheus and his annoyed Eurydice, of goddesses and gods in search of diversion, bored with everyday life in Olympus. Burning with curiosity about the beautiful kidnapped woman and the competition between Jupiter and Pluto for the favor of Eurydice, the illustrious company embarks on a ride into hell into the underworld, which culminates in what is probably the most famous can-can in music history. And Eurydice? - after all, it throws everybody in the dark ...

English

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Co-Produzent