Name: Orquesta filamonica de berlin
Start: 2023-05-05T00:00:00.000Z
End: 2023-05-05T00:00:00.000Z
Location: Auditorio de Zaragoza

Organization

Conductor

Kirill Petrenko

Singer

Soprano

Louise Alder

Soprano I

Orchestra

Orquesta Filarmónica de Berlín

Auditorio de Zaragoza

Orquesta filamonica de berlin

Zaragoza

Spain

Sala Mozart

Public

Symphony No. 25 in G Minor, K. 183

Exsultate, jubilate

Symphony No. 4 in D Minor op. 120

Approved

Orquesta filamonica de berlin: Concert

The Berliner Philharmoniker, an orchestra founded in 1882 as a fully autonomous entity, has long been one of the world's leading orchestras. In the first decades of its existence, it was shaped and defined by its first principal conductors: Hans von Bülow, Arthur Nikisch and Wilhelm Furtwängler, followed by Herbert von Karajan in 1955.

Leading the Berliner Philharmoniker, Karajan developed a unique sonic aesthetic and performing culture that made the orchestra famous throughout the world. In 1967, Karajan founded the Berliner Philharmoniker Ostfestspiele (Berlin Philharmonic Easter Festival), which has been held annually in Baden-Baden since 2013.

Claudio Abbado became chief conductor of the orchestra, holding the position for thirteen years, from 1989 to 2002, placing a new emphasis on concert programming, primarily with the inclusion of contemporary compositions. At the end of his engagement, Sir Simon Rattle was elected Chief Conductor of the Berliner Philharmoniker, holding the position from 2002 to 2018. Under Rattle's painstaking leadership the Orchestra continued to expand its repertoire and establish innovative concert formats.

In 2009 the Digital Concert Hall video platform was launched, on which the concerts of the Berliner Philharmoniker are broadcast live and offered as recordings in a video archive. Five years later, in 2014, the Berliner Philharmoniker founded her own record label: Berliner Philharmoniker Recordings.

Kirill Petrenko has been Principal Conductor of the Berliner Philharmoniker since 2019. The classical-romantic repertoire, Russian music and unfairly forgotten composers have been the first programmatic focuses of his tenure. Another important aspect for Kirill Petrenko is the educational program of the Berliner Philharmoniker, with which the orchestra reaches new audiences.

The Berliner Philharmoniker Foundation is supported by the State of Berlin and the German Federal Government, as well as the generous support of Deutsche Bank as main sponsor.
He has developed a unique sound aesthetic and playing culture with the Berliner Philharmoniker that made the orchestra famous worldwide. In 1967, Karajan founded the Berliner Philharmoniker Easter Festival, which has been held in Baden-Baden since 2013.

As chief conductor from 1989 to 2002, Claudio Abbado placed new emphasis on concert programming, especially with contemporary compositions. From 2002 to 2018, Sir Simon Rattle continued to expand the repertoire and establish innovative concert formats.

In 2009, the video platform Digital Concert Hall was launched, where the concerts of the Berliner Philharmoniker are broadcast live and offered as recordings in a video archive. In 2014, the Berliner Philharmoniker founded their own label: Berliner Philharmoniker Recordings.

Kirill Petrenko has been chief conductor of the Berliner Philharmoniker since 2019. The Classical-Romantic repertoire, Russian music and unjustly forgotten composers are the first programmatic focal points of his tenure. Another important aspect for Kirill Petrenko is the Berliner Philharmoniker’s education programme, with which the orchestra reaches out to new audiences.
The Berliner Philharmoniker Foundation is supported by the State of Berlin and the German Federal Government, as well as by the generous support of Deutsche Bank as their main sponsor 

KIRILL PETRENKO, director

Kirill Petrenko has held the post of Principal and Artistic Conductor of the Berliner Philharmoniker since the 2019/20 season.

Born in Omsk, in Siberia, he received his training first in his hometown and later continued his studies in Austria. He established his career as a conductor in opera with positions at the Meininger Theater and the Komische Oper in Berlin.

For seven years, from 2013 to 2020, Kirill Petrenko was General Director of Music at the Bayerische Staatsoper (Bavarian State Opera). He was also present as a guest conductor in the main opera houses in the world, including the Wiener Staatsoper (Vienna State Opera), the Royal Opera House, Covent Garden in London, the Opéra National in Paris, the Metropolitan Opera in New York and at the Bayreuth Festival.

In addition to his operatic conducting work, he has conducted the major international symphony orchestras in Vienna, Munich, Dresden, Paris, Amsterdam, London, Rome, Chicago, Cleveland, and Israel. Since his initial debut conducting the Berliner Philharmoniker in 2006, he has honed a number of programmatic contents in his joint work. Among them, developing the work of the orchestra's main classical-romantic repertoire, especially with Beethoven's Ninth Symphony that he performed when he took office.

Unfairly forgotten composers like Josef Suk and Erich Wolfgang Korngold are another of Kirill Petrenko's interests. He also highlights Russian works, with his performances of Tchaikovsky's operatic works Mazeppa, Iolanta and The Queen of Spades receiving particular attention in recent times.

LOUISE ADLER, soprano

She studied at the Royal College of Music, where she was the first “Kiri Te Kanawa Scholar”. She won the Young Singers Award at the 2017 International Opera Awards, the Dame Joan Sutherland Audience Award at Cardiff Singer of the World 2017, the British Young Soloists Competition (2015), and the 2014 John Christie Award.

In 2021/22, she sang the role of Musetta La bohème for the English National Opera; Cleopatra in Julius Caesar (Theater an der Wien); Susanna from The Marriage of Figaro (Opernhaus Zürich) and Sophie in The Knight of the Rose (Wiener Staatsoper).

Recent successes include the roles of Susanna and Sophie (Wiener Staatsoper); Susanna and Gretel Hänsel und Gretel (Bayerische Staatsoper); Zerlina Don Giovanni and the main role of La Calisto (Teatro Real); Zerlina for ROH, Covent Garden; Sophie (Glyndebourne and Welsh National Opera); Lucia The rape of Lucrecia and Zerlina (Glyndebourne); Ilia Idomeneo and Pamina The Magic Flute (Garsington Opera) and Gilda Rigoletto, Susanna, Pamina, Despina Così fan tutte, Cleopatra Julius Caesar, Romilda Serse, Sophie The Knight of the Rose, Gretel and the title role of The Cunning Fox (Frankfurt Oper ).

In concert, the main role of Theodora at the BBC Proms and the Konzerthaus in Vienna (Arcángel/Cohen); the title role of Semele (Monteverdi Choir/Gardiner); Scenes from Goethe's Faust by Schumann (Royal Concertgebouw Orchestra/Gardiner), Messiah (New York Philharmonic/Bicket), Symphony no. Beethoven's 9 (Tokyo Philharmonic/Nott), Arias by Mozart at the Salzburg Mozartwoche (Mahler Chamber Orchestra/Harding).

He has also performed at the Aldeburgh, Edinburgh, St Magnus and Handel Festivals (in London) and the BBC Proms. In addition, she is a passionate recitalist with performances at Wigmore Hall, the BBC Proms, the Musikverein de Graz, at the Oper Frankfurt, at the Juan March Foundation and at the Fundación Privada Victoria de los Ángeles in Barcelona, ​​at the Barber Institute in Birmingham, at the Bath Mozart Festival, at the Brighton and Oxford Lieder Festivals and in Perth with Helmut Deutsch, Joseph Middleton, Gary Matthewman, Julius Drake and Roger Vignoles.

His recordings include “The Russian Connection” with songs by Rachmaninoff, Sibelius, Tchaikovsky, Grieg, Medtner and Britten (Chandos) and a disc of Strauss's Lieder, Through Life and Love, (Orchid Classics), both with pianist Joseph Middleton; the role of Lucia The rape of Lucrecia (Opus Arte) and Silandra in L'Orontea de Cesti (OEHMS Classics/ Frankfurt Oper).

English

La Berliner Philharmoniker, orquesta fundada en 1882 como entidad totalmente autónoma, ha sido durante mucho tiempo una de las principales orquestas del mundo. En las primeras décadas de su existencia, fue moldeada y definida por sus primeros directores titulares: Hans von Bülow, Arthur Nikisch y Wilhelm Furtwängler, seguidos por Herbert von Karajan en 1955.

Al frente de la Berliner Philharmoniker, Karajan desarrolló una estética sonora y una cultura interpretativa únicas que hicieron famosa a la orquesta en todo el mundo. En 1967, Karajan fundó el Berliner Philharmoniker Ostfestspiele (Festival de Pascua de la Filarmónica de Berlín), que se celebra anualmente en Baden-Baden desde 2013.

Claudio Abbado se convirtió en director titular de la orquesta, ejerciendo el cargo durante trece años, de 1989 a 2002, poniendo un nuevo énfasis en la programación de conciertos, principalmente con la inclusión de composiciones contemporáneas. Al finalizar su compromiso, Sir Simon Rattle fue elegido director titular de la Berliner Philharmoniker, ostentando el cargo de 2002 a 2018. Bajo el esmerado liderazgo de Rattle la Orquesta siguió ampliando su repertorio y estableciendo innovadores formatos de concierto.

En 2009 se puso en marcha la plataforma de vídeo Digital Concert Hall, en la que los conciertos de la Berliner Philharmoniker se emiten en directo y se ofrecen como grabaciones en un archivo de vídeo. Cinco años después, en 2014, la Berliner Philharmoniker fundó su propio sello discográfico: Berliner Philharmoniker Recordings.

Kirill Petrenko es director titular de la Berliner Philharmoniker desde 2019. El repertorio clásico-romántico, la música rusa y los compositores injustamente olvidados han sido los primeros focos programáticos de su mandato. Otro aspecto importante para Kirill Petrenko es el programa educativo de la Berliner Philharmoniker, con el que la orquesta llega a nuevos públicos.

La Fundación Berliner Philharmoniker cuenta con el apoyo del Estado de Berlín y del Gobierno Federal alemán, así como con el generoso apoyo del Deutsche Bank como principal patrocinador.
He developed a unique sound aesthetic and playing culture with the Berliner Philharmoniker that made the orchestra famous worldwide. In 1967, Karajan founded the Berliner Philharmoniker Easter Festival, which has been held in Baden-Baden since 2013.

As chief conductor from 1989 to 2002, Claudio Abbado placed new emphasis on concert programming, especially with contemporary compositions. From 2002 to 2018, Sir Simon Rattle continued to expand the repertoire and establish innovative concert formats.

In 2009, the video platform Digital Concert Hall was launched, where the concerts of the Berliner Philharmoniker are broadcast live and offered as recordings in a video archive. In 2014, the Berliner Philharmoniker founded their own label: Berliner Philharmoniker Recordings.

Kirill Petrenko has been chief conductor of the Berliner Philharmoniker since 2019. The Classical-Romantic repertoire, Russian music and unjustly forgotten composers are the first programmatic focal points of his tenure. Another important aspect for Kirill Petrenko is the Berliner Philharmoniker’s education programme, with which the orchestra reaches out to new audiences.
The Berliner Philharmoniker Foundation is supported by the State of Berlin and the German Federal Government, as well as by the generous support of Deutsche Bank as their main sponsor

KIRILL PETRENKO, director

Kirill Petrenko ostenta el cargo de director titular y artístico de la Berliner Philharmoniker desde la temporada 2019/20.

Nacido en Omsk, en Siberia, recibió su formación primero en su ciudad natal y, más tarde, continuó sus estudios en Austria. Estableció su carrera como director de orquesta en ópera con puestos en el Teatro Meininger y en la Komische Oper de Berlín.

Durante siete años, desde 2013 hasta 2020, Kirill Petrenko fue director general de música de la Bayerische Staatsoper (Ópera Estatal de Baviera). También hizo presencia como director invitado en los principales teatros de ópera del mundo, entre los que cabe destacar la Wiener Staatsoper (Ópera Estatal de Viena), la Royal Opera House, Covent Garden de Londres, la Opéra National de París, el Metropolitan Opera de Nueva York y en el Festival de Bayreuth.

Además de su trabajo de dirección operística, ha dirigido las más importantes orquestas sinfónicas internacionales en Viena, Múnich, Dresde, París, Ámsterdam, Londres, Roma, Chicago, Cleveland e Israel. Desde su debut inicial dirigiendo la Berliner Philharmoniker en 2006, ha ido perfeccionando una serie de contenidos programáticos en su trabajo conjunto. Entre ellas, desarrollando la labor del repertorio clásico-romántico principal de la orquesta, sobre todo con la Novena Sinfonía de Beethoven que abordó al asumir su cargo.

Compositores injustamente olvidados como Josef Suk y Erich Wolfgang Korngold son otro de los intereses de Kirill Petrenko. También destacan las obras rusas, con la interpretación de las obras operísticas de Chaikovski, Mazeppa, Iolanta y La dama de picas que han sido objeto de especial atención en los últimos tiempos.

LOUISE ADLER, soprano

Estudió en el Royal College of Music, donde fue la primera “Becaria Kiri Te Kanawa”. Ganó el premio para jóvenes cantantes en Premios International Opera de 2017, el premio del público Dame Joan Sutherland en Cardiff Singer of the World 2017, el Concurso de Jóvenes Solistas Británicos (2015), y obtuvo el Premio John Christie 2014.

En 2021/22, cantó el papel de Musetta La bohème para la English National Opera; Cleopatra en Julio César (Theater an der Wien); Susanna de Las bodas de Fígaro (Opernhaus Zürich) y Sophie en El caballero de la rosa (Wiener Staatsoper).

Recientes éxitos incluyen los papeles de Susanna y Sophie (Wiener Staatsoper); Susanna y Gretel Hänsel und Gretel (Bayerische Staatsoper); Zerlina Don Giovanni y el papel principal de La Calisto (Teatro Real); Zerlina para la ROH, Covent Garden; Sophie (Glyndebourne y Welsh National Opera); Lucia La violación de Lucrecia y Zerlina (Glyndebourne); Ilia Idomeneo y Pamina La flauta Mágica (Garsington Opera) y Gilda Rigoletto, Susanna, Pamina, Despina Così fan tutte, Cleopatra Julio César, Romilda Serse , Sophie El caballero de la rosa, Gretel y el papel principal de La zorrita astuta (Frankfurt Oper).

En concierto destacan el papel principal de Theodora en los BBC Proms y el Konzerthaus de Viena (Arcángel/Cohen); el papel principal de Semele (Monteverdi Choir/Gardiner); Escenas del Fausto de Goethe de Schumann (Royal Concertgebouw Orchestra/Gardiner), Mesías (New York Philharmonic/Bicket), Sinfonía núm. 9 de Beethoven (Tokyo Philharmonic/Nott), Arias de Mozart en la Mozartwoche de Salzburgo (Mahler Chamber Orchestra/Harding).

También ha actuado en los festivales de Aldeburgh, Edimburgo, St Magnus y Handel (de Londres) y en los BBC Proms. Además, es una apasionada recitalista con actuaciones en Wigmore Hall, los BBC Proms, el Musikverein de Graz, en la Oper Frankfurt, en la Fundación Juan March y en la Fundación Privada Victoria de los Ángeles de Barcelona, en el Barber Institute de Birmingham, en el Bath Mozart Festival, en los Festivales de Lieder de Brighton y Oxford y en Perth con Helmut Deutsch, Joseph Middleton, Gary Matthewman, Julius Drake y Roger Vignoles.

Sus grabaciones incluyen “The Russian Connection” con canciones de Rachmaninoff, Sibelius, Chaikovski, Grieg, Medtner y Britten (Chandos) y un disco de Lieder de Strauss, Through Life and Love, (Orchid Classics), ambos con el pianista Joseph Middleton; el papel de Lucia La violación de Lucrecia (Opus Arte) y Silandra en L’Orontea de Cesti (OEHMS Classics/ Frankfurt Oper).

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