Organization

Singer

Tenor

Wonjong Lee

Niccolo Paganini

Soprano

Małgorzata Pawłowska

Fürstin Maria Anna Elisa

Baritone

Frank Blees

Fürst Felice Bacchiocchi

Nataliia Ulasevych

Bella Giretti

Marcus Sandmann

Marchese Giacomo Pimpinelli

Jens Herrmann

Graf Hédonville

Bass

Tilman Rau

Bartucci

Stage director

Jürgen Pöckel

Conductor

Leo Siberski

Costume designer

Thurid Goertz

Set designer

Dramaturge

Hanna Kneißler

Vladimir Yaskorksi

Choreographer

Ekaterina Tumanova

Theater Plauen-Zwickau

Orchestra

Clara-Schumann-Philharmoniker Plauen-Zwickau

Paganini

Zwickau

Germany

Gewandhaus Zwickau

Plauen

Vogtlandtheater Plauen

Paganini Lehár

Public

Approved

Wir fiebern der Premiere unserer Operette PAGANINI entgegen. Darin begegnen euch gleich mehrere Promis ihrer Zeit, und deshalb haben wir uns für euch mal ein wenig in den lokalen Boulevardmedien im Fürstentum Lucca umgehört. Unsere Sänger*innen Małgorzata Pawłowska und Marcus Sandmann hatten viel Spaß mit unserem ersten PAGANINI-Teaser – ihr hoffentlich auch… Wir sehen uns am 11. bis 13. Juni auf der Plauener Parkbühne! Weitere Informationen zum Stück findet ihr hier: http://www.theater-plauen-zwickau.de/musik-spielplan.php...
Konzept: © Hanna Kneißler ¬ Video: © André Meyer ¬ Schnitt und Design: © Raphael Howein

Princess Anna Elisa 's head is spinning. A few months ago she overheard this charming devil's violinist at the village festival, and now he is a permanent guest in her bedroom: Niccolò Paganini, who leaves behind incredulous listeners and languishing women's hearts after every performance and, despite glowing promises of loyalty, is always on the lookout for new conquests. Anna Elisa suspects evil. Her husband, Prince Felice, and her brother, Emperor Napoleon himself, would like to chase Paganini from court. And anyway, says Paganini's agent, he should finally concentrate on his virtuoso career ...
The melancholy-dramatic architecture of the operetta is exemplary of the late stage work of Franz Lehár. Here not only the etiquette of a frozen aristocracy and the restless way of life of a traveling artist collide, but also ideas about true love happiness that could not be more different. The prima donna Bella Giretti and the valet Marchese Pimpinelli ensure this with wit and quick-wittedness. Lehár dresses all of this in longing melodies, disturbing harmonies and of course breakneck violin solos. In the 1940s, he was something of a storyteller of his own sounds. The Paganini radio play, which he conducted himself for Austrian Radio, gave the impetus for our semi-staged form at the Plauen-Zwickau Theater. We hope to touch you deeply with it even without visible contact.

English

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