Name: Pagliacci
Start: 2020-10-22T00:00:00.000Z
End: 2022-11-15T00:00:00.000Z
Location: Cobb Energy Performing Arts Centre

Admin

Organization

Singer

Baritone

Reginald Smith Jr

Tonio

Tenor

Richard Trey Smagur

Canio

Soprano

Talise Trevigne

Nedda

Joseph Lattanzi

Silvio

Megan Marino

Peppe

Conductor

Rolando Salazar

Stage director

Tomer Zvulun

Set designer

Julia Noulin-Mérat

Costume designer

Joanna Schmink

Lighting designer

Ben Rawson

Joshua Conyers

The Atlanta Opera

itaalia

Pagliacci

Atlanta

United States

Cobb Energy Performing Arts Centre

The circus performers in Pagliacci grapple with tragedy and question boldly whether they must perform despite heartbreak and ruin.

In The Atlanta Opera’s completely fall 2020 production of Leoncavallo’s verismo classic, audiences enter a dystopian world where artists question their ability to perform, distance separates loved ones, and a play-within-a-play exposes a great betrayal.

The filmed version brings the audience on stage with the performers. Close-ups and intimate vantage points that only cinema can provide will make you feel like you were there in the Big Tent, while you relax at home or on-the-go.

This entirely new production was built for our time and introduces innovative staging elements built for keeping the cast, crew and audience safe during a successful run of 9 performances in October and November of this year.

Featuring The Atlanta Opera Company Players, this production includes performances from Reginald Smith, Jr. (Tonio), Richard Trey Smagur (Canio), Talise Trevigne (Nedda), Megan Marino (Beppe) and Joseph Lattanzi (Silvio).

Performed in Italian with English subtitles (please enable closed captioning "CC" button for subtitles)

part of the 2020-21 Molly Blank Big Tent Series
support provided by Gramma Fisher Foundation – Howard Hunter

Composer: Ruggero Leoncavallo
Librettist: Ruggero Leoncavallo
Premiere Date: May 21, 1892, Teatro Dal Verme, Milan

Pagliacci Leoncavallo

Public

inglise

Approved

The show must go on.

The circus performers in Pagliacci grapple with tragedy and question boldly whether they must perform despite heartbreak and ruin.

In The Atlanta Opera’s completely new fall production of Leoncavallo’s verismo classic, audiences enter a dystopian world where artists question their ability to perform, distance separates loved ones, and a play-within-a-play exposes a great betrayal

Does art imitate life?  Or does life imitate art?

English

Etenduse krediiti (Näitlejad ja meeskond )

Osades

Meeskond