Name: Petite messe solennelle
Start: 2021-06-16T00:00:00.000Z
End: 2022-04-07T00:00:00.000Z
Location: Stavovské divadlo (The Estates Theatre)

Organization

Pianist

Martin Levický

Zdeněk Klauda

Harmonium

Adam Viktora

Singer

Soprano

Marie Fajtová

Mezzo-soprano

Arnheiður Eiríksdóttir

Tenor

Petr Nekoranec

Bass

Jiří Sulženko

Conductor

Jaroslav Kyzlink

Chorus master

Pavel Vaněk

National Theatre Prague

Others

Prague National Theatre Chorus

Petite messe solennelle -  (Little solemn mass)

Prague

Czech Republic

Stavovské divadlo (The Estates Theatre)

Public

Little solemn mass

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

In the twilight of his eventful life, Gioachino Rossini (1792-1868), the great guru of Italian opera of the first half of the 19th century, completed in Paris a piece precious few would have expected him to write – a messe solennelle, a setting of the traditional Latin missa solemnis, the type of music other composers created for the holy milieu of Roman Catholic churches.

A true bon vivant, Rossini had not turned into a penitent who prior to death strove to pave his way to heaven and compensate for his previous works, largely dedicated to secular subjects. He approached his mass, most likely commissioned by the wealthy French banker Count Alexis Pillet-Will, with levity, a sense of originality, but also humility. Describing it as “the last of the sins of my old age”, Rossini asked himself the question of whether he had written “sacred”, or, rather, “sacrilegious” music. Oddly enough, his mass is not intended to be performed in churches but in homes. Following on from its being scored for a more intimate milieu is the curious instrumentation – two pianos and a harmonium, not an orchestra, nor an organ … What is more – even though the celebrated opera composer had not created a single opera for over three decades, his quintessential, effervescent Italian style reflected in this otherwise spiritual piece. Aware of the fact, Rossini wrote in his defence: “I was born for opera buffa, as you well know …”

At the special concert of Rossini’s mass, conducted by Jaroslav Kyzlink, you will hear three instrumentalists, the National Theatre Chorus and, first and foremost, soloists – the soprano Marie Fajtová and the bass Jiří Sulženko, who are well known to our audiences, as well as the Icelandic mezzo-soprano Arnheiður Eiríksdóttir, a new member of the opera company, and the internationally renowned tenor Petr Nekoranec, one of the most gifted young Czech opera singers.

English

Little solemn mass by Rossini, から (2021/2022), 導体 Jaroslav Kyzlink, Stavovské divadlo (The Estates Theatre), Prague, Czech Republic

パフォーマンスクレジット (キャスト＆クルー )

キャスト

クルー

アンサンブル

プログラム、概要、概要

写真

参考文献

公演日程と会場

会場