Name: Piano & Suite Symphonique
Start: 2023-11-29T00:00:00.000Z
End: 2023-11-30T00:00:00.000Z
Location: Victoria Hall

Organization

Conductor

Jonathan Nott

Orchestra

Orchestre de la Suisse Romande

Instrumentalist

Kit Armstrong

Piano

Piano & Suite Symphonique

Geneva

Switzerland

Victoria Hall

Public

Private

Piano Concerto No. 4 in G Major, op. 58

Pelléas et Mélisande, suite symphonique (arr. Jonathan Nott

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Singer

Bass

Mezzo-soprano

Countertenor

Bass-baritone

Tenor

Baritone

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Piano & Suite Symphonique: Piano Concerto No. 4 in G Major, op. 58 Beethoven

Les interludes orchestraux que Debussy composa en hâte pour faciliter les changements de décors de son opéra Pelléas et Mélisande font partie de ses meilleures pages instrumentales. Ils donnèrent envie à plusieurs chefs d’orchestre amoureux de la partition de les amplifier en orchestrant des parties entières de l’opéra sous forme de suite symphonique. Après Leinsdorf, Constant, Monteux, Barbirolli et, plus récemment, Abbado et Altinoglu, Jonathan Nott présente son propre travail en première mondiale. Ce nouvel arrangement permettra d’entendre le drame grâce à une sélection minutieuse d’instruments reprenant les leitmotivs chantés par les divers personnages du drame de Maurice Maeterlinck. Pour son retour dans nos concerts, Maria João Pires a choisi le Concerto n° 4 de Beethoven qui mélange si bien le brio et la secrète révolte avec son andante contemplatif et lourd d’émotion.

français

The orchestral interludes that Debussy composed hastily to facilitate the changes of scenery in his opera Pelléas et Mélisande are among his best instrumental works. They made several conductors in love with the score want to amplify them by orchestrating entire parts of the opera in the form of a symphonic suite. After Leinsdorf, Constant, Monteux, Barbirolli and, more recently, Abbado and Altinoglu, Jonathan Nott presents his own work as a world premiere. This new arrangement will make it possible to hear the drama thanks to a careful selection of instruments taking up the leitmotifs sung by the various characters of Maurice Maeterlinck's drama. For her return to our concerts, Maria João Pires has chosen Beethoven's Concerto No. 4, which blends so well brio and secret revolt with its contemplative and emotional andante.

Streaming

This concert is broadcast on the 06.12.23 on Espace 2 in the radio program Plein Jeu (8pm), produced by Mitsou Carré and Daniel Rausis, and is available for streaming after broadcast on

English

Piano & Suite Symphonique by Beethoven, Debussy, Alates (2023/2023), Dirigent Jonathan Nott, Victoria Hall, Geneva, Switzerland

Etenduse krediiti (Näitlejad ja meeskond )

Instrumentatsioon

Ansambel

Programm, teave ja kokkuvõte

Fotod

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad