Kõik
Casting Tool
Renditud lavastused
Uuenda profiili
et
Logi sisse
Pro/Casting
et
Otsing: Etendused, Kunstnikud, Ettevõtted, Festivalid, Juhataja, Etenduspaigad, Muusikalised teosed, Videod
Kodu
Etendused
Kunstnikud
Ettevõtted
Festivalid
Mänedžerid
Etenduspaigad
Veel
Organisatsioonid
Hooaeg
Lauluvõistlustel
Heliloojaid
Muusikalised teosed
Videod
Pro Tools
tööstuse spetsialistidele
Publikule
Etendused
Piotr Anderszewski / Katowice Kultura Natura Festival - Nospr
Piotr Anderszewski / Katowice Kultura Natura Festival - Nospr
Jaga
Polish National Radio Symphony Orchestra
(2017)
13 mai 2017
(1 etendused)
Külastage veebisaiti
NOSPR, Katowice, Poland
Teave kunstiorganisatsioonilt (Operabase'i kinnitatud)
Piotr Anderszewski / Katowice Kultura Natura Festival - Nospr by Mozart, Janáček, Chopin, Alates (2017/2017), NOSPR, Katowice, Poland
Etenduse krediiti
(Näitlejad ja meeskond )
Vaata kõiki
Valige Töö
Fantasia in C Minor, K. 475
(Fantasia in C minor, K.475)
,
Mozart
Tootja
Polish National Radio Symphony Orchestra
Instrumentatsioon
Piano
Paul Lewis
Programm, teave ja kokkuvõte
Vaata kõiki
Programm
6
Piotr Anderszewski / Katowice Kultura Natura Festival - Nospr
Fantasia in C Minor, K. 475
(Fantasia in C minor, K.475)
,
Mozart
Concerto
Staged
Piano Sonata No. 14 in C Minor, K. 457
(Piano Sonata No. 14 in C minor, K. 457)
,
Mozart
Concerto
Staged
On an Overgrown Path
,
Janáček
Oratorio / Orchestral
Concert
Mazurkas, op. 56
(Three Mazurkas for Piano, Op. 56)
,
Chopin
Mazurka
Concert
Mazurkas, op. 59
,
Chopin
Mazurka
Concert
Polonaise-Fantaisie, op. 61
(Polonaise-Fantaisie, Op. 61)
,
Chopin
Polonaise
Concert
Musical classicism did not preclude deep emotions, often seen as the realm of Romanticism. This is convincingly demonstrated by Mozart in his twin pieces: Sonata in C minor, KV. 457 (1784), and Fantasia in C minor, KV. 475 (1785). Both draw from the same source, the musical sense of the tragic. But if the three-movement Sonata is closer to the classical dramatic formula, the “circumlocutory” form of Fantasia – a deeply experienced work, resembling a record of free improvisation – seems to stand for the inevitable, the “deadly circle” much closer to Romantics… Mozart’s universalism versus romantic fondness for local colour… The music by Leoš Janáček and Frédéric Chopin – regardless of the specific historical context and stylistic differences – has one element in common: deep love for the motherland. For Janáček, it will often be “the small homeland,” not Bohemia or Moravia but… Hukvaldy, where he was born and where he grew. This is where he kept returning, for example in his extraordinary cycle On an Overgrown Path (Po zarostlém chodničku; 1902-11), “a series of memories of his home town Hukvaldy, of his own irretrievably lost youth, and of his poor daughter Olga, who died prematurely” (Jaroslav Vogel). By contrast, Chopin can be strikingly “homely” in his brilliant Mazurkas – “the cannons hidden among flowers” (Robert Schumann) – but in the last Polonaise-Fantaisie, Op. 61 (1846), he unfolds before the listener an amazing panorama of the history and fate of his motherland. And in the final apotheosis, one may find a hint of the words he was to write shortly before his death to Julian Fontana: “at the end of it all there is Poland, magnificent, great, in a word: Poland.”
Teave teabe kohta on saadaval aadressil: English
Fotod
1
Vaata kõiki
Lisalugemist
Lisateave helilooja kohta
Mozart
Janáček
Chopin
Lisateave muusikatöö kohta
Fantasia in C Minor, K. 475
(Fantasia in C minor, K.475)
,
Mozart
Piano Sonata No. 14 in C Minor, K. 457
(Piano Sonata No. 14 in C minor, K. 457)
,
Mozart
On an Overgrown Path
,
Janáček
Mazurkas, op. 56
(Three Mazurkas for Piano, Op. 56)
,
Chopin
Mazurkas, op. 59
,
Chopin
Polonaise-Fantaisie, op. 61
(Polonaise-Fantaisie, Op. 61)
,
Chopin
Esinemiskuupäevad ja -kohad
1
Vaata kõiki
Etenduspaigad
Katowice, Poland
NOSPR | Katowice, Poland
2017
mai
13